Seven Poor Men of Sydney
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 First edition | |
| Author | Christina Stead |
|---|---|
| Language | English |
| Genre | Literary fiction |
| Publisher | Peter Davies, London |
Publication date | 1934 |
| Publication place | Australia |
| Media type | |
| Pages | 358pp |
| Preceded by | – |
| Followed by | The Beauties and Furies |
Seven Poor Men of Sydney (1934) is the first novel by Australian writer Christina Stead.[1]
The novel follows the fortunes of seven men living around Watson's Bay in Sydney. The men are brought together by their radical or rationalist beliefs or by their relationship and dealings to a printing press.
Critical reception
A reviewer in The Courier-Mail likened the book to the work of an earlier novelist: "Twenty years ago Louis Stone, an Englishman, then living in New South Wales, showed in his novel, Jonah, that the streets of Sydney, throbbing with life, intensity, and emotionalism, provided a wonderful background for an Australian novel. Until the other day no other novelist had attempted to use such a crowded setting. Perhaps the scene was too big, the characterisation too difficult, the canalising of the emotions too intricate. Now it has been done by Miss Christina Stead in Seven Poor Men of Sydney (Peter Davles, London); and her book is remarkable, for its acute presentation of the lives and mentalities of a section, perhaps a limited section, of the poorer, people in Sydney."[2]
Reviewing the book on its reissue in 1966 Maurice Dunlevy stated: "You can compare this book with no other Australian novel. So individualistic is it, in fact, that you can compare it with no other novel, although for purposes of explanation it can be said to resemble vaguely Virginia Woolf's The Waves which was published a few years before it. Christina Stead's characters, like Virginia Woolf's, express themselves in an extraordinary imaginative idiom. Though they are poor and 'uneducated' in the conventional sense, they are acutely sensitive, their lives revolve around their inward experiences, they are unusually articulate and often speak with the rhetoric of accomplished orators or with the imagery of poets."[3]