Sex, Drink and Bloodshed
2004 Croatian film
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Sex, Drink and Bloodshed (Croatian: Seks, piće i krvoproliće) is a 2004 Croatian omnibus action film. The film depicts violence among football fans in Croatia on an Eternal Derby, a match between the country's two most popular football teams, Dinamo and Hajduk. It is divided into three stories: "Seks", "Piće" and "Krvoproliće" ("Sex", "Drink" and "Bloodshed" in English), directed by Boris T. Matić, Zvonimir Jurić and Antonio Nuić, respectively.
Boris T. Matić
Antonio Nuić
Boris T. Matić
Antonio Nuić
Hrvoje Osvadić
| Sex, Drink and Bloodshed | |
|---|---|
Film poster | |
| Seks, piće i krvoproliće | |
| Directed by | Zvonimir Jurić Boris T. Matić Antonio Nuić |
| Written by | Zvonimir Jurić Boris T. Matić Antonio Nuić |
| Produced by | Boris T. Matić Hrvoje Osvadić |
| Starring | Franjo Dijak Bogdan Diklić Daria Lorenci Leon Lučev Ksenija Marinković Krešimir Mikić Bojan Navojec Leona Paraminski Rakan Rushaidat |
| Cinematography | Vjeran Hrpka |
| Edited by | Marin Juranić Veljko Segarić |
Release date |
|
Running time | 75 minutes |
| Country | Croatia |
| Language | Croatian |
Cast
- Franjo Dijak as Njonjo (segment "Krvoproliće")
- Bogdan Diklić as Komšija (segment "Seks")
- Matko Fabeković as Dario (segment "Seks")
- Admir Glamočak as Sejo (segment "Seks")
- Hrvoje Kečkeš as Žac
- Daria Lorenci as Policewoman (segment "Piće")
- Leon Lučev as Roko Vitaljić (segment "Piće")
- Ksenija Marinković as Valerija (segment "Seks")
- Krešimir Mikić as Zlatko Šnur
- Bojan Navojec as Mario (segment "Krvoproliće")
- Leona Paraminski as Martina (segment "Krvoproliće")
- Kristijan Potočki as Bad Blue Boy (the nickname for a supporter of Dinamo)
- Rakan Rushaidat as Goc (segment "Krvoproliće")
- Dražen Sivak as Policeman (segment "Piće")
Critical reception
Critics gave mostly favorable reviews of Sex, Drink and Bloodshed. Croatican film critic Dean Šoša, writing for Nacional, rated the film 4 out of 5. He said the film is "not without faults", but that it is a "very decent and suggestive work of art", calling it the "most interesting product of Croatian cinematography since Mirta Learns Statistics and See You."[1]
