Shack-man

1996 studio album by Medeski Martin & Wood From Wikipedia, the free encyclopedia

Shack-man is the fourth album by experimental jazz fusion trio Medeski Martin & Wood, released in 1996.[1][3][4] It was widely considered their commercial breakthrough, peaking at No. 7 on the Billboard Contemporary Jazz Albums chart.[5]

ReleasedOctober 15, 1996
RecordedJune 1996
Studio
Quick facts Studio album by Medeski Martin & Wood, Released ...
Shack-man
Studio album by
ReleasedOctober 15, 1996
RecordedJune 1996
Studio
GenreJazz-funk, soul jazz, acid jazz
Length55:29
LabelRykodisc[1]
Gramavision
Producer
  • Medeski Martin & Wood
  • David Baker[2]
Medeski Martin & Wood chronology
Friday Afternoon in the Universe
(1995)
Shack-man
(1996)
Farmer's Reserve
(1997)
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Production

The album was recorded in an isolated shack in Hawaii, with power supplied by solar energy and generators.[6]

Critical reception

More information Review scores, Source ...
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AllMusic called the album "the best example to date of the trio's cerebral fusion of soul-jazz, hip-hop, and post-punk worldbeat."[7] New York wrote that "the changes are episodic, as in funk, rather than conversational, as in jazz."[10] Relix called it a "dark, funky dorm room breakthrough."[11]

The Cleveland Scene wrote that the group "made it cool to groove again with 1996s Shack-man, a Hammond-hammered Phish-lot mainstay that opened the door for instrumental improv groups like Soulive and Particle."[12]

Track listing

All music by Medeski Martin & Wood except where noted.

  1. "Is There Anybody Here That Love My Jesus" (traditional, arr. by MMW) – 4:27
  2. "Think" – 5:16
  3. "Dracula" – 4:16
  4. "Bubblehouse" – 4:27
  5. "Henduck" – 4:38
  6. "Strance of the Spirit Red Gator" – 7:06
  7. "Spy Kiss" – 4:22
  8. "Lifeblood" – 7:06
  9. "Jelly Belly" – 4:42
  10. "Night Marchers" – 4:26
  11. "Kenny" – 4:43

Personnel

Medeski Martin & Wood

Production

  • Hans Wendl – executive producer
  • Medeski Martin & Wood – producers
  • David Baker – producer, recording, mixing
  • Katsu Naito – mixing
  • Carl Green – recording assistant
  • Mark Kindermann – recording assistant
  • Bob Ward – editing at Current Sounds (New York City, New York)
  • Dr. Toby Mountain – mastering at Northeastern Digital (Southborough, Massachusetts)
  • Michael Macioce – band photography
  • Billy Martin – artwork
  • Liz Penta – LP management

References

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