Shame (soundtrack)
2011 soundtrack album by various artists
From Wikipedia, the free encyclopedia
Shame (Original Motion Picture Soundtrack) is the soundtrack album to the 2011 film Shame directed by Steve McQueen and starring Michael Fassbender and Carey Mulligan. The soundtrack was released through Sony Classical Records on 6 December 2011 and featured songs from Glenn Gould, Tom Tom Club, Blondie, Chic, John Coltrane, Chet Baker, Howlin' Wolf along with few original score themes composed by Harry Escott.
.jpg)
| Shame (Original Motion Picture Soundtrack) | |
|---|---|
| |
| Soundtrack album by various artists | |
| Released | 6 December 2011 |
| Genre | |
| Length | 80:13 |
| Label | Sony Classical |
Background
Shame features an original film score composed by Harry Escott.[1] Escott revealed that his involvement was very set even before he came on board, and there were numerous pre-existing compositions ranging from classical to post-modern. Escott revealed that he had to compose two pieces of music that summarizes the soul of the protagonist Brandon, and which was not a traditional scoring, but capturing the mood of the piece and the urge within the protagonist. Escott noted on Steve's clarity about the musical landscape and environment he wanted the film to be in, where he demand pure orchestra and devoid of any synth music.[2]
Editor Iain Canning noted that the theme represented of a ticking clock, reminiscent of the idea that Brandon had a process and a way of waking up, where life was a sort of a rotation. Canning liked the ticking clock aspect which served an importance in the film, attributing that the music would serve as a character.[2] Besides the original compositions, which appeared only in few instances, the soundtrack primarily featured classical, periodic and contemporary film compositions, including a "New York, New York "Theme"" performed by Carey Mulligan.[3][4]
Reception
William Ruhlmann of AllMusic wrote "A viewing of Shame is required to understand how all this music works together, but the individual recordings are classics in their own right."[5] Daniel Schweiger of AssignmentX wrote "A sex addict's greatest hits will do anything but turn you off".[6] Calum Marsh of Coke Machine Glow wrote "Shame, despite what its detractors say, is a deceptively old-fashioned project, stylized and artful, and its soundtrack follows suit, offering style but sounding classically good as an album."[7] Justin Chang of Variety described it a "resonant, largely cello-based score."[8] Amy Biancolli of San Antonio Express-News called it a "disgruntled, murmuring strings" score.[9] David Edelstein of Vulture described it a "plaintive drone of a score".[10] Oliver Lyletton of IndieWire called it as one of the best soundtrack of 2011, saying "With "Shame," the images are cold and atmospheric, but never distant, thanks in part to Escott's stellar work."[11]
Track listing
| No. | Title | Writer(s) | Artist | Length |
|---|---|---|---|---|
| 1. | "Brandon" | Harry Escott | Harry Escott | 8:28 |
| 2. | "Goldberg Variations, BWV 988: Aria" | Johann Sebastian Bach | Glenn Gould | 3:04 |
| 3. | "Genius of Love" | Tom Tom Club | 3:26 | |
| 4. | "Rapture" | Blondie | 5:32 | |
| 5. | "I Want Your Love" | Chic | 6:54 | |
| 6. | "My Favorite Things" | John Coltrane | 13:39 | |
| 7. | "New York, New York "Theme"" |
| Carey Mulligan and Liz Caplan (piano) | 4:55 |
| 8. | "Let's Get Lost" | Chet Baker | 3:40 | |
| 9. | "Prelude & Fugue No. 10 in E Minor, BWV 855: Prelude" | Bach | Glenn Gould | 2:49 |
| 10. | "Goldberg Variations, BWV 988: Variation 15 a 1 Clav. Canone alla quinta. Andante" | Bach | Glenn Gould | 5:00 |
| 11. | "Unravelling" | Escott | Harry Escott | 9:35 |
| 12. | "You Can't Be Beat" | Chester Burnett | Howlin' Wolf | 3:05 |
| 13. | "The Problem" | Mark Louque | Mark Louque | 5:14 |
| 14. | "Prelude & Fugue No. 16 in G Minor, BWV 885: Praeludium" | Bach | Glenn Gould | 3:09 |
| 15. | "End Credits" | Escott | Harry Escott | 1:43 |
| Total length: | 80:13 | |||
Accolades
In additon to the following awards, the score was shortlisted as one among the 97 contenders for the Best Original Score category at the 84th Academy Awards, albeit not receiving a final nomination.[12][13][14]
| Award | Date of ceremony | Category | Recipient(s) and nominee(s) | Result | Ref. |
|---|---|---|---|---|---|
| Black Reel Awards | 12 February 2012 | Outstanding Original Score | Harry Escott | Nominated | [15] [16] |
| Houston Film Critics Society | 14 December 2011 | Best Original Score | Harry Escott | Nominated | [17] [18] [19] [20] |
Personnel
Credits adapted from liner notes:[21]
- David Butterworth – orchestration (1, 11, 15)
- Rolf Wilson – leader (1, 11, 15)
- Nick Wollage – engineering, recording, mixing (1, 11, 15)
- Pete Hutchings – assistant engineering (1, 11, 15)
- Manfred Melchior – mastering
- Ian Wood – score editor (1, 11, 15)
- Isobel Griffiths – orchestra contractor (1, 11, 15)
- Lucy Whalley – assistant orchestra contractor (1, 11, 15)
- White Label Productions – design
- Steve McQueen – liner notes