Sherab Palden Beru
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Sherab Palden Beru (1911[1][2] – 29 November 2012) was an exiled Tibetan thangka artist who played a key role in preserving the art-form through the training of western students over a period of more than four decades.
Early life and training
Sherab Palden Beru was born Tsewang Palden[3] into a nomadic family that had lived in the eastern province of Kham, Tibet, since the mid-15th century. Beru entered the Namgyal Ling monastery at the age of nine. His aptitude for drawing was quickly recognised, and his formal artistic training began from the age of 13, under the guidance of the monastery's artist-lama. At age 22, he completed his first thangka.[3]
While studying at Namgyal Ling, Beru attained high levels of skill both in Thangka painting and in associated monastic disciplines such as ritual music, and Lama dancing in particular.[4] This included learning how to create masks and costumes for ceremonial dances, and the tents such dances were sometimes performed in.[3] He also acted as a chant leader and as a bursar.[3]
Move to Lhasa and to India
In 1956, after over 30 years of living at the monastery, Beru left for Lhasa.[3] In 1959, he was forced to escape to India following the invasion of Tibet by Chinese forces.[3] He arrived in Sikkim by horse and then traveled on by car to Kalimpong, where he resumed painting thangkas.[3] He taught at the Young Lamas Home School in Dalhousie[3][4] where, amongst other works, he was commissioned by Lokesh Chandra to produce a series of drawings of mandalas for publication.[citation needed] He later relocated to Delhi, where he lived "at a house of writers and artists run by Dr Lokesh Chandra, a scholar of Buddhism".[3]
Move to Scotland
In 1967,[3] he was asked by the 16th Karmapa, Rangjung Rigpe Dorje, to make his way to Scotland where Chogyam Trungpa and Akong Tulku Rinpoche had established the first Tibetan Buddhist centre in the west, Kagyu Samye Ling, in Eskdalemuir, Dumfriesshire. Despite having some initial misgivings about leaving the Tibetan community in exile in Northern India so soon after having arrived as a refugee, Beru acceded to the wishes of his Guru.[citation needed]
In Scotland, Beru established a thangka-painting workshop.[3] He adapted his painting style to accommodate for the materials available in Scotland.[3] As plans for the construction of a temple emerged, Beru and his students worked on "silk screens, carvings, and decorations" for its interior.[3]
Art
For the next 35 years, Beru devoted himself to creating thangkas of outstanding quality in the Karma Gadri style, and to training western students in the techniques of thangka painting. His work can be seen in centres through Europe, Asia and North America. His principal achievements are to be seen at Samye Ling itself, where he designed not only the temple interior[5] but several cycles of exquisite thangkas, depicting variously the Kagyu Lineage holders, Sakyamuni Buddha, Indian mahasiddhas and the Four Directional Guardians. Most notable are the much-copied painting of the Kagyu Lineage Refuge Tree and the painting of the Guru Yoga of the 8th Karmapa, Mikyo Dorje. He painted the thangka of Vajradhara in the Dorje Dzong shrine room in Boulder, Colorado.[6]
The paintings in the temple at Samye Ling are known for their combination of large size and exquisite detail. As in Tibet, many of these paintings took between one and three years to complete. Along with Akong Rinpoche and his students, Beru also helped retrieve, restore and preserve thangkas from Tibet, many of which were destroyed in the early days of the Chinese occupation. Later Beru was joined at Samye Ling by his nephew, Gyamtso Tashi, an ordained monk and sculptor, who reached India after making a three-year pilgrimage on foot across Tibet.
Later years and death
Well into his 90s, Beru no longer contributed directly to the art-work, but remained a leading authority on matters of Tibetan art, and was regularly consulted by practicing thangka artists. He died on 29 November at Samye Ling at an age of about 100.[1][2][4][7] His body was left completely undisturbed in 'Tukdam' meditation for the traditional three-day period after his death.[citation needed]
References
- 1 2 "Archive of the works of Sherab Palden Beru". Samye Ling. Archived from the original on 19 October 2013.
- 1 2 Tulku, Ringu (30 November 2012). "Sherab Palden Beru Passes Away". bodhicharya.org. Archived from the original on 20 April 2013.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 "Sherab Palden Beru". The Times. 21 January 2013. Retrieved 30 April 2026.
- 1 2 3 "Obituary: Sherab Palden Beru". Samye Ling. 4 December 2012. Archived from the original on 11 December 2012.
- ↑ "Dr Akong Tulku Rinpoche: biography". Samye Ling.
- ↑ "Chronicles of Chögyam Trungpa Skillful Means and Wisdom". chronicleproject.com.
- ↑ "Sherab Palden Beru". www.telegraph.co.uk. 18 December 2012. Retrieved 30 April 2026.
External links
- "Kagyu Samye Ling". Retrieved 30 August 2010.
- "The Great Vajradhara of Dorje Dzong". Retrieved 30 August 2010.
- "A Tribute to the Life and Work of by Sherab Palden Beru: Biographies & Memoirs". Blurb Books.
- "Obituary for Sherab Palden Beru in the Daily Telegraph".
- "Apprentice to Sherab Palden Beru: Tibetan Temple decoration - Tashi Mannox".
- "The Great Thangka Painter Sherab Palden Beru".
- "Tibetan Art Forms: Menluk, Khyenluk and Gardri".