Shirley Anne Field

Early roles

After a course at the Lucie Clayton School and Model Agency, Field became a photographic model for pin-up magazines like Reveille and Titbits. She was subsequently spotted by Bill Watts, who ran a theatrical agency and obtained for her roles in late 1950s British films, usually uncredited.^{[citation needed]}

Field first appearance in a film was as an extra in Simon and Laura (1955). She had small parts in All for Mary (1955), Lost (1956), Yield to the Night (1956) (directed by J. Lee Thompson), It's Never Too Late (1956), It's a Wonderful World (1956), The Weapon (1956), Loser Takes All (1956), The Silken Affair (1956), Dry Rot (1956), The Good Companions (1957) (again for Thompson), Seven Thunders (1957), and The Flesh Is Weak (1957). She was in episodes of The New Adventures of Martin Kane (1957) and International Detective.^{[citation needed]}

Field's first sizeable film role was in Horrors of the Black Museum (1959). She had minor parts in Once More, with Feeling! (1960) and And the Same to You (1960). Field had a larger role in the controversial Peeping Tom (1960). She appeared on stage in The Lily White Boys with Albert Finney.^{[citation needed]}

Stardom

In 1960, Field's breakthrough came when she was chosen by Tony Richardson to play the role of model Tina Lapford in The Entertainer (1960), starring Laurence Olivier, distributed by Bryanston Films. Half a century later, she clarified that she did not owe her break to Olivier: "It was Tony Richardson I owe it all to."^[4]

Field had a supporting role in Beat Girl (1960), then appeared in probably her best known role as Doreen, the would-be girlfriend of rebellious Arthur Seaton (played by Albert Finney), in the New Wave film for Bryanston, Saturday Night and Sunday Morning (1960). Director, Karel Reisz, described her as "difficult to play with".^[5] Co-star Finney had previously had a small role in The Entertainer. The film was a huge hit.^{[citation needed]}

Field starred alongside Kenneth More in Man in the Moon (1960).^[6] With those three big film starring roles in 1960, she became one of the very few actors ever to have their name above the titles in all the major cinemas around Leicester Square simultaneously.^[7]

Although offered a role in A Kind of Loving (1962), Field turned it down to play the female lead in a Hollywood financed film, The War Lover (1962), with Steve McQueen. Four decades later she admitted that the shoot was not ideal:^[4]

It was the stuff dreams are made of, but I didn't get to enjoy it like I should have. When I arrived I was so panicked and tired and the sun was just too yellow and the orange juice too orange. It was very stressful and I had a headache all the time. I just wasn't used to it. I didn't have anyone to look after me.

In the UK Field had the lead in Lunch Hour (1962), which was one of her favourite films.^[8][9]

For Hammer films, Field starred in The Damned (1963), directed by Joseph Losey. She went to Hollywood to play the female lead in an epic directed by J. Lee Thompson, Kings of the Sun (1963). Thompson had her under personal contract at this stage.^[10] She says she turned down roles in a James Bond movie and an Elvis Presley movie.^[4]

Field went to Italy to appear in The Wedding March (1966), then back in England made Doctor in Clover (1966) and Alfie (1966). She had a supporting role in Hell Is Empty (1967).^[11][12]

Film

Television roles