Sight Lines

• "Water Calligraphy"
• "Stilling to North"
• "No one"
• "Westbourne Street"
• "Cloud Hands"
• "In the Bronx"
• "Unpacking a Globe"
• "During the Cultural Revolution"
• "Traversal"
• "The Radiant's"
• "Doppler Effect"
• "Adamant"
• "A woman detonates"
• "Python Skin"
• "Lichen Song"
• "Black Center"
• "Under a Rising Moon"
• "Light Echoes"
• "First Snow"
• "Salt cedar"
• "Courtyard Fire"
• "White Sands"
• "Salt Song"
• "The plutonium waste"
• "Sprang"
  • 1 "Winter Stars"
  • 2 "Hole"
  • 3 "Talisman"
  • 4 "Kintsugi"
  • 5 "Yellow Lightning"
  • 6 "Red-Ruffed Lemur"
  • 7 "This Is the Writing, the Speaking of the Dream"
  • 8 "Net Light"
  • 9 "Sprang"
• "A man who built"
• "Transfigurations --
• "Dawn Redwood"
• "Xeriscape"
• "The Far Norway Maples"
• "Sight Lines"
• "The Glass Constellation"

Publishers Weekly called it "finely crafted and philosophical".^[4]

In her review for The New York Times, Tess Taylor wrote, "This is a poetry of assemblage, where violence and beauty combine and hang on Sze's particular gift for the leaping non sequitur."^[5]

Florian Gargaillo of the Colorado Review praised Sze's philosophy represented through strikethroughs, writing, "It is this degree of self-questioning, this wariness of authority in himself and others, that makes Sze such a valuable poet for this moment."^[6]