Silence (miniseries)

Spanish television series From Wikipedia, the free encyclopedia

Silence (Spanish: Silencio) is a Spanish fantasy tragicomedy miniseries written and directed by Eduardo Casanova. It tackles queer female vampires, the Black Plague, and the HIV/AIDS pandemics. It premiered at the 78th Locarno Film Festival in August 2025.

SpanishSilencio
Directed byEduardo Casanova
Starring
Quick facts Spanish, Written by ...
Silence
Promotional release poster
SpanishSilencio
Written byEduardo Casanova
Directed byEduardo Casanova
Starring
Music byJoan Vilà
Country of originSpain
Original languageSpanish
No. of seasons1
No. of episodes3
Production
Executive producers
  • Eduardo Casanova
  • Javier Prada
ProducerJavier Prada
CinematographyMarino Pardo
Running time56 minutes
Production companies
  • Gamera Studios
  • Apoyo Positivo
  • Antonio Abeledo
Original release
NetworkMovistar Plus+
Release1 December 2025 (2025-12-01)
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Plot

Taking place in different timelines, the plot explores the plight of a family of queer vampire sisters and their descendants, facing the issue of human blood contamination in the Europe devastated by the Black Plague, and centuries later, in 1980s HIV-stricken Spain.[1]

Cast

Production

The series was produced by Gamera Studios along with Apoyo Positivo and Antonio Abeledo S.L.[3]

Release

Dolera, Casanova, Fuentes, León, and Díez attending the Locarno Film Festival on 10 August 2025

The miniseries was presented in an out-of-competition slot of the 78th Locarno Film Festival in August 2025.[4] Its festival run also included selection for screenings at the 20th Fantastic Fest (for its North-American premiere) and the 58th Sitges Film Festival,[5][6] where it was marketed as a Movistar Plus+ original series with a 1 December 2025 (World AIDS Day) launch date on the platform.[7][8][9]

Reception

Alfonso Rivera of Cineuropa wrote that Silence's "striking imagery", "delirious dialogue and histrionic performances refuse to be tamed or pigeonholed. They are pure rebellion, just like the characters themselves".[10]

While the miniseries had no guaranteed distribution at the time of its Locarno presentation, the use of inclusive language in the dialogues managed to polarise social media users, with some applauding it as a coherent choice in line with the artistic proposal while other decrying it as a "gratuitous provocation."[11]

See also

References

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