Simon Brault

Canadian arts administrator and cultural advocate From Wikipedia, the free encyclopedia

Simon Brault, CC OQ (born 5 September 1955) is a Canadian arts administrator, cultural advocate, author, and former accountant. He is known for leading major cultural institutions, including serving as CEO and director of the Canada Council for the Arts from 2014 to 2023. Since 2024, he has been president of the Festival de Lanaudière. Brault previously directed the National Theatre School of Canada and played a central role in cultural advocacy in Montreal, including co-founding Culture Montréal and Journées de la culture. He is the author of No Culture, No Future (2010), a work promoting the democratization of culture. Brault made an Officer of the Order of Canada and promoted to Companion in 2025. He was also made an Officer of the Ordre national du Québec.[1]

Born (1955-09-05) September 5, 1955 (age 70)
Montreal, Quebec, Canada
OccupationsArts administrator, author, cultural advocate
KnownforCEO of the Canada Council for the Arts (2014–2023); cultural policy leadership
Notable workNo Culture, No Future
Quick facts CC, OQ, Born ...
Simon Brault
CC, OQ
Born (1955-09-05) September 5, 1955 (age 70)
Montreal, Quebec, Canada
OccupationsArts administrator, author, cultural advocate
Known forCEO of the Canada Council for the Arts (2014–2023); cultural policy leadership
Notable workNo Culture, No Future
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Early life and family

Brault was born in Montreal, Quebec, and is the eldest of eight children.[1] He grew up in the working-class neighbourhood of Villeray. His father, a painter and ceramicist who worked as a teacher, struggled to earn a living through his art, shaping Brault’s early perception of the challenges faced by artists. His uncle, poet Jacques Brault, provided a contrasting example of artistic success and influenced his appreciation of the arts.[1]

Education and early career

At age 20, Brault enrolled in law school but left after two and a half years to train as an accountant.[1] After travelling to China, he returned to Montreal as a new father and sought work in the cultural sector. He joined the National Theatre School of Canada (NTS) after responding to a classified advertisement for a clerk position.[1]

References

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