Somebody Loves Me (film)

1952 film by Irving Brecher From Wikipedia, the free encyclopedia

Somebody Loves Me is a 1952 American biographical romantic comedy-drama musical film starring Betty Hutton and Ralph Meeker (though Meeker's singing is dubbed by Pat Morgan) with Robert Keith, Adele Jergens and Billie Bird.

Quick facts Directed by, Written by ...
Somebody Loves Me
Directed byIrving Brecher
Written byIrving Brecher
Produced byWilliam Perlberg
George Seaton
StarringBetty Hutton
Ralph Meeker
CinematographyGeorge Barnes
Edited byFrank Bracht
Music byVan Cleave (uncredited)
Color processTechnicolor
Production
company
Perlberg-Seaton Productions
Distributed byParamount Pictures
Release date
  • September 24, 1952 (1952-09-24)
Running time
97 minutes
CountryUnited States
LanguageEnglish
Box office$2.2 million (US rentals)[1]
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The story focuses on the careers and relationship of entertainers and vaudevillians Blossom Seeley and Benny Fields.[2] The film was Betty Hutton's last film with Paramount Pictures, with whom she had been under contract with since 1942. It was the film debut of Nick Adams.[3]

It was the 38th highest grossing film of 1952.[4]

Plot

In 1906 San Francisco Blossom Seely (Betty Hutton) is an energetic performer in a club. Whilst performing, an earthquake strikes. The first theatre to reopen in the city since the earthquake is the Grauman Vaudeville theatre, where Blossom is set to next perform.

Blossom arrives with friends, Essie (Billie Bird) and her agent Sam Doyle (Robert Keith). She requests to perform the song "Toddling the Todalo" only to find that Nola Beech (Adele Jergens), the arrogant star of the show with the top billing has demanded to sing the song and will be performing it instead of Blossom.

Whilst Nola is performing Toddling the Todalo in front of a large audience, Essie gives a monkey a banana and directs it onto the stage. The monkey eats the banana then throws the peel at Nola. This causes her to run off stage. Blossom scuttles onto stage and begins singing the song in place of Nola.

Blossom is suddenly catapulted into fame as San Francisco's number one vaudeville star and entertains people from San Francisco to soldiers fighting in the trenches during WW1.

After WW1, Blossom wishes to expand her act to include people other than herself mainly so she can change costumes between her numbers. She then goes to see a trio of performers, Benny Fields (Ralph Meeker), Forrest (Henry Slate) and Henry (Sid Tomack) and is particularly attracted to Fields. After the show, Blossom invites the three to work with her. Blossom performs with Fields, Forrest and Henry to applause. But Forrest and Henry wish to perform their own encore within Blossom's show which infuriates her and she fires them.

Blossom and Benny debut as a duo in Vaudeville with Blossom singing and Benny being the piano accompaniment. Much to Blossom's dismay, Benny tricks Blossom into singing the emotional song "Jealous" and she confronts Benny and threatens to break up their act. Benny then proposes marriage to Blossom and she accepts.

Blossom then goes on vacation without Benny to recover her singing voice. To her surprise Benny shows up at her hotel room with news. He tells her he has to leave their act and reveals that he only married Blossom for fame and was not in love with her when they married but loves her now and wants to prove that he can be successful on his own. He promises to return to her once he has become famous.

Back on Vaudeville, this time without Benny, Blossom performs to widespread acclaim amongst audiences. Backstage though, she feels incomplete without Benny and quits.

Benny, now in his own single act finds himself performing as a stooge with little to no pay. Sam is in the audience and confronts Benny backstage. Sam urges him to speak with Blossom partly because since she quit Vaudeville her finances and mental health have been in a dire condition. Benny returns to Blossom and they embrace. Benny tells Blossom that he doesn't want her to set him up with any work, as he still feels guilty about using her. Two months later, Benny finally gets a job at a club in Chicago. Backstage at the venue where he is set to perform, he overhears the organizers discussing how Blossom made a deal with them so that Benny would get the job. Benny confronts Blossom and she admits she pulled the strings. Benny swears that he will make a new single act just to spite Blossom. Later, Benny is interrupted by Sam. Sam tells Benny that Blossom plans to quit show business.

Benny forgives Blossom and they go on stage and sorrowfully sing Somebody Loves Me.

Cast

Soundtrack

Production

Production took place from August 1951 till October 1951.[6] During filming, Hutton had a operation to remove a wart from her throat. Hutton also extensively trained to fit the singing style of Blossom Seely as Blossom had a lower vocal pitch.[7] Ralph Meeker was loaned from MGM to star in this film, though according to Hutton she wanted Frank Sinatra as her co-star but Perlberg and Seaton declined as Sinatra was suffering from throat problems at the time. Paramount originally intended for Robert Alda to play Fields, but he was occupied by his role of Sky Masterton in the original production of Guys and Dolls on Broadway.[8] Hutton met her future husband, choreographer Charles O'Curran on the set of Somebody Loves Me. [8]

Reception

The Kokomo Tribune gave a favourable review "On this authentic biographical framework have been built more than a dozen production numbers beautifully sung by Miss Hutton in a brilliant new singing style. Loud and brassy or sweet and low, she put over both the songs and the picture to great effect ... Adding to the over-all festivities is a wonderful supporting cast headed by Robert Keith as Blossom's understanding agent; Adele Jergens as a rival singer; Billie Bird as an acid-tongued companion to Miss Seely; and the talented "Chez Paree Adorables" who serve as delectable and enticing ornaments in the richly mounted surrondings."[2]

The New York Times gave a positive review of Hutton's performance "But aside from a wealth of noted old tunes, a couple of new ditties and the obvious talents of the ebullient Betty Hutton, who still sells songs as well as any plugger we know" They then go on to say that "Miss Hutton, who has enough changes of costume to please every woman's tastes, is equally adept at portraying the starry-eyed chanteuse who falls for a scheming pianist, she has all the bounce and verve of yore tempered, pleasingly enough, by occasional restraint in her emoting which makes for a convincing characterization."[9]

References

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