Someday Everything Will Be Fine
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| Someday Everything Will Be Fine | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | August 3, 2018 | |||
| Recorded | June 2017 – January 2018 | |||
| Studio | Bunker Audio, Memphis, Tennessee[1] | |||
| Genre | ||||
| Length | 38:35 | |||
| Label | Merge | |||
| Spider Bags chronology | ||||
| ||||
| Aggregate scores | |
|---|---|
| Source | Rating |
| AnyDecentMusic? | 7.2/10[4] |
| Metacritic | 81/100[5] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Blurt | |
| Exclaim! | 8/10[6] |
| The Guardian | |
| Pitchfork | 7/10[8] |
Someday Everything Will Be Fine is the fifth studio album by American alternative rock band Spider Bags. It was released on August 3, 2018, by Merge Records.[9]
The album was recorded at Bunker Audio in Memphis, Tennessee, with producer Andrew McCalla, and features collaborations with Jack Oblivian, John Whittemore, Jana Misener, Krista Wroten-Combest, Patrick Stickles and Matthew Hoopengardner.[9]
Release
Critical reception
Someday Everything Will Be Fine was met with "universal acclaim" reviews from critics. At Metacritic, which assigns a weighted average rating out of 100 to reviews from mainstream publications, this release received an average score of 81 based on 7 reviews.[5] Aggregator Album of the Year gave the release a 75 out of 100 based on a critical consensus of 6 reviews.[2]
Mark Deming of AllMusic noted how the band sounded a "little less punk and a bit more rock" on the release, while explaining the album "is an object lesson in how maturity and progress don't have to be the enemies of snarky, passionate rock & roll, and this is music that satisfies on several levels at once."[3] Barry Vitus from Blurt gave the release five out of five stars, explaining that it "injected a new, creative energy into the band. The chemistry imbued by the helping hands and producer were significant to the end product."[1] Writer Michael Hann of The Guardian gave the album four out of five stars, noting "their fifth album sound more of-the-moment than the previous four, not least because its opening track, Reckless, perfectly embodies that heavy, heavy slacker sound."[7]