Sonny Dallas

Born in 1931 in Rankin, Pennsylvania, Dallas studied bass with Herman Clements, principal bassist of the Pittsburgh Symphony, who also taught jazz bassists Ray Brown and Paul Chambers,^[2] and by the mid 1950s, was working with bandleaders Charlie Spivak, Ray Eberle, and Claude Thornhill.

Moving to New York in 1955, he began performing and recording with the likes of Sal Salvador, Tony Scott, Chet Baker and Buck Clayton, Lee Konitz, Warne Marsh, Phil Woods, Gene Quill, Zoot Sims, Al Cohn, Elvin Jones, Mary Lou Williams, Bill Evans, George Wallington, Jackie Paris and Lennie Tristano, with whom he was most closely associated.

Moving to Long Island in the late 1960s, he obtained a Master of Arts degree in music education and began teaching at both Suffolk County Community College and Dowling College.

Down Beat listed Sonny Dallas as one of the top ten greatest jazz bassists.^[2]

Dallas died of heart failure in 2007 on Long Island, New York. He is survived by two daughters, Deborah and Elizabeth, and a son, Robert.

• You and Lee (Verve, 1959)
• Motion (Verve, 1961)

• Shades of Sal Salvador (Betlehem, 1957)
• Tribute to the Greats (Betlehem, 1957)

• Descent into the Maelstrom (East Wind, 1952–53; 1965–66 [1976])
• Note to Note (Jazz Records, 1964–65 [1993])
• Continuity (Jazz Records, 1958; 1964 [1985])

• Phil Talks with Quill – with Gene Quill (Epic, 1957 [1959])
• Warm Woods (Epic, 1957 [1958])