Stardust (Natalie Cole album)
From Wikipedia, the free encyclopedia
ReleasedSeptember 24, 1996
RecordedJune–September 1996
Studio
- Ocean Way Recording, Capitol Studios, Conway Studios and LeGonks West (Hollywood, California)
- Schnee Studios (North Hollywood, California)
- Record Plant (Los Angeles, California)
- Chartmaker Studios (Malibu, California)
- The Hit Factory and Sony Music Studios (New York City, New York)
- The Shire (Bedford, New York)
- Wisseloord Studios (Hilversum, Netherlands)
| Stardust | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | September 24, 1996 | |||
| Recorded | June–September 1996 | |||
| Studio |
| |||
| Genre | Traditional pop[1] | |||
| Length | 78:30 | |||
| Label | Elektra | |||
| Producer |
| |||
| Natalie Cole chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
| Billboard | (favorable)[3] |
| Cash Box | (favorable)[4] |
| Entertainment Weekly | B−[5] |
Stardust is a studio album by American singer Natalie Cole, released on September 24, 1996. Cole won the Grammy Award for Best Pop Collaboration with Vocals for the song "When I Fall in Love", a duet with Nat King Cole, at the 39th Grammy Awards.[6]
The song also won the Grammy Award for Best Instrumental Arrangement with Accompanying Vocal(s) for arrangers Alan Broadbent and David Foster.[7] The album was nominated for Best Traditional Pop Vocal Performance.
Unless otherwise noted, Information is based on the album's Liner Notes[8]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "There's a Lull in My Life" | 5:22 | ||
| 2. | "Stardust" | 4:40 | ||
| 3. | "Let's Face the Music and Dance" |
| 2:16 | |
| 4. | "Teach Me Tonight" | 3:16 | ||
| 5. | "When I Fall in Love" (duet with Nat King Cole) |
| 4:12 | |
| 6. | "What a Diff'rence a Day Made" |
| 3:16 | |
| 7. | "Love Letters" |
|
| 4:49 |
| 8. | "He Was Too Good to Me" |
| 5:07 | |
| 9. | "Dindi" (Portuguese) |
| 4:36 | |
| 10. | "Two for the Blues" |
| 4:22 | |
| 11. | "If Love Ain't There" |
| 3:25 | |
| 12. | "To Whom It May Concern" |
|
| 3:27 |
| 13. | "Where Can I Go Without You?" |
|
| 4:23 |
| 14. | "Ahmad's Blues" |
|
| 4:13 |
| 15. | "Pick Yourself Up" |
| 3:31 | |
| 16. | "If You Could See Me Now" |
| 4:42 | |
| 17. | "Like a Lover" |
| 5:17 | |
| 18. | "This Morning It Was Summer" |
| 3:24 | |
| 19. | "When I Fall in Love" (Spanish Version) |
|
| 4:12 |
| Total length: | 78:30 | |||
- Notes
- Nat King Cole's "Let's Face the Music and Dance" originally recorded on November 21, 1961[9]
- Nat King Cole's "When I Fall in Love" originally recorded on December 28, 1956[10]
- Portuguese lyrics on "Dindi" written by Louis Oliveira
- Additional lyrics on "Two for the Blues" written by Natalie Cole
- Additional Portuguese lyrics on by Dori Caymmi, Dorival Caymmi and Natalie Cole
Personnel
Information is based on the album's Liner Notes[8] Musicians and Vocalists
- Natalie Cole – vocals, backing vocals (7, 10)
- Terry Trotter – acoustic piano (1, 4, 5, 12, 13, 16–18), Fender Rhodes (1, 13), keyboards (12, 18)
- Michael Lang – acoustic piano (2)
- Rob Mounsey – acoustic piano (3, 6, 8, 9, 11, 15), additional keyboards (3), keyboards (6, 8, 9, 11, 15)
- Nat King Cole – Hammond B3 organ solo (3), vocals (5)
- George Duke – acoustic piano (7), keyboards (7, 10),vibraphone (10)
- Bob James – keyboards (14), acoustic piano solo (14)
- John Chiodini – guitars (1, 2, 4, 5, 12, 13, 16–18), acoustic guitar (7)
- John Pizzarelli – guitars (3, 6, 8, 9, 11)
- Paul Jackson Jr. – electric guitar (7, 10)
- Lee Ritenour – guitar solo (14)
- Jim Hughart – bass (1, 4, 13, 16)
- Chuck Domanico – bass (2, 5)
- David Finck – bass (3, 6, 8, 9, 11, 15)
- Reggie Hamilton – bass (7, 10)
- Chuck Berghofer – bass (12, 18)
- Nathan East – bass (14, 17)
- Harold Jones – drums (1, 4, 13, 16)
- Ralph Penland – drums (2)
- Chris Parker – drums (3, 6, 8, 9, 11, 15)
- John Guerin – drums (5, 12, 18)
- John Robinson – drums (7, 10)
- Harvey Mason – drums (14)
- Bashiri Johnson – percussion (6, 9, 15)
- Paulinho da Costa – percussion (7, 17)
- Rafael Padilla – percussion (14)
- Dan Higgins – saxophone solo (5)
- Everette Harp – alto saxophone solo (10)
- Michael Brecker – saxophone solo (15)
- Jon Clarke – oboe solo (5)
- George Bohanon – trombone solo (4)
- Wynton Marsalis – trumpet solo (8)
- Toots Thielemans – harmonica solo (7, 9)
- Janis Siegel – backing and harmony vocals (10)
Music arrangements
- Alan Broadbent – music arrangements (1–3, 5, 11, 13)
- John Clayton – music arrangements (4)
- Natalie Cole – vocal arrangements (5, 7, 14), music arrangements (17)
- David Foster – music and vocal arrangements (5)
- Gordon Jenkins – original[10] music arrangements (5)
- Rob Mounsey – music arrangements (6, 8, 9, 15)
- George Duke – music arrangements (7, 10, 17), horn arrangements (10), vocal arrangements (14)
- Clare Fischer – strings arrangements (7, 17)
- Jerry Hey – horns arrangements (10, 14)
- Johnny Mandel – music arrangements (12, 18)
- Bob James – music arrangements (14)
- Charles Floyd – music arrangements (16)
- Jim Hughart – music arrangements (16)
Production
- Natalie Cole – executive producer, album concept, producer (17)
- Phil Ramone – producer (1, 3, 6, 8, 9, 11, 13, 15)
- David Foster – producer (2, 5, 12, 18)
- George Duke – producer (4, 7, 10, 14, 16, 17)
- Debbie Datz, Jill Dell'Abate, Bill Hughes, Morris Repass and Patti Zimmitti – orchestra and big band contractors
- Simon Ramone – production assistant (1, 3, 6, 8, 9, 11, 13, 15)
- Corrine Duke – production assistant (4, 7, 10, 14, 16, 17)
- Shari Sutcliffe – project coordinator
- Benita Hill Johnson – personal assistant
- Gabrielle Raumberger – art direction
- Emily Rich – design
- Rocky Schenck – photography
- Janet Zeitoun – hair
- Tara Posey – make-up
- Cecille Parker – stylist
- Dick La Palm – liner notes, research
- Dan Cleary – management
- Dori Caymmi, Helena Caymmi, David Romano, Roberta Taurello and Veronique Triquet – linguists
Technical credits
- Al Schmitt – mixing, track recording (1, 5, 12, 13, 18), vocal recording (1, 5, 13, 18)
- Elliot Scheiner – vocal recording (1, 3, 6, 8, 9, 11, 13, 15), track recording (3, 6, 8, 9, 11, 15)
- David Reitzas – vocal recording (2, 4, 5, 12, 14, 17, 18), track recording (5)
- Erik Zobler – track recording (4, 7, 10, 14, 16, 17), vocal recording (4, 7, 10, 14, 16)
- Felipe Elgueta – additional engineer
- Wayne Holmes – additional engineer
- Henk Korff – additional engineer
- John Patterson – additional engineer
- Patrick Ulenberg – additional engineer
- Jeffrey Demorris – assistant engineer
- Peter Doell – assistant engineer
- Koji Egawa – assistant engineer
- Rob Frank – assistant engineer
- Barry Goldberg – assistant engineer
- John Hendrickson –assistant engineer
- Glenn Marchese – assistant engineer
- Eddie Miller – assistant engineer
- Charlie Paakkari – assistant engineer
- Rail Rogut – assistant engineer
- Robbes Stieglitz – assistant engineer