Stereo Girls

2025 drama film From Wikipedia, the free encyclopedia

Stereo Girls (French: Les immortelles, lit.'The Immortals') is a 2025 coming-of-age drama film co-written and directed by Caroline Deruas [fr].

FrenchLes immortelles
Directed byCaroline Deruas [fr]
Written by
  • Caroline Deruas
  • Jihane Chouaib
  • Maud Ameline
  • Victoria Kaario
Produced by
  • Laurine Pelassy
  • Eduardo Sosa Soria
Quick facts French, Directed by ...
Stereo Girls
FrenchLes immortelles
Directed byCaroline Deruas [fr]
Written by
  • Caroline Deruas
  • Jihane Chouaib
  • Maud Ameline
  • Victoria Kaario
Produced by
  • Laurine Pelassy
  • Eduardo Sosa Soria
Starring
CinematographyVincent Biron
Edited byMirenda Ouellet
Music byCalypso Valois
Production
companies
  • Les Films de la Capitaine
  • La Féline Films
  • Possibles Media
Release date
  • 28 August 2025 (2025-08-28) (Venice)
Running time
89 minutes
Countries
  • France
  • Canada
LanguageFrench
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A co-production between France and Canada, the film had its world premiere at the 82nd Venice International Film Festival.

Plot

Cast

Production

The film was produced by Les Films de la Capitaine, La Féline Films aand Possibles Media.[1] The script is partly autobiographical.[2] It was shot between September and October 2024.[3] Major locations were Ramatuelle and Cannes.[2]

Release

The film had its world premiere at the 82nd edition of the Venice Film Festival, serving as opening film of the International Critics' Week sidebar.[1][4] It was released in French cinemas on 11 February 2026.[5][6]

Reception

Cineuropa's film critic Fabien Lemercier described Stereo Girls as "a film that takes many formal risks with undeniable charm", "adopting a deliberately pop and offbeat style" and "almost flirting with the idea of an over-the-top photo novel".[4] Nicholas Bell from IonCinema compared the film to Beaches, and called it a "languid period piece" that "sings a familiar tune with too much emotional distortion".[7]

Marilou Duponchel from Les Inrocks described it as "a haunting pop film, laced with captivating dreamlike sequences".[8] Olivier De Bruyn from Les Echos referred to it as an "energetic and moving film [which] is full of surprises".[9]

References

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