Steve Gray (musician)
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Steve Gray (18 April 1944 – 20 September 2008) was a British pianist, composer and arranger. He was an active session musician and arranger in the 1970s, and a performer and composer for the KPM 1000 Series of library music recordings. In the 1980s and into the 1990s Gray was a member of the instrumental rock band Sky, and later worked on ambitious arranging and composition projects for big bands in Holland and Germany.
Gray was born in Middlesbrough, England. At the age of 10, he began teaching himself to play the piano. He joined the Middlesbrough Municipal Jazz Orchestra, at first playing the bassoon but later switching to the saxophone. The orchestra was directed by Ron Aspery, who would go on to create the fusion group Back Door.[1] He moved to London in 1962 and began performing as a pianist in various groups, initially with the Phil Seamen Quintet, and then with various bands led by Harry Bence, Eric Delaney, Mike Cotton and Johnny Howard. In the early 1960s playing in such bands was a recognized training path for becoming a session musician.[2]
Session musician
Under his own name Gray released the album A Woman in Love, in 1969[3] and he was the pianist on James Kenelm Clarke's Girl on the Beach LP the same year.[4] During the 1970s he was most active as a session musician pianist, playing for UK and US musicians visiting London to record, including John Barry, Sammy Davis Jr, Jerry Fielding, Jerry Goldsmith, Quincy Jones, Peggy Lee, Michel Legrand, Henry Mancini and Lalo Schifrin. He was also a freelance arranger. He handled the arrangement for Melanie Cries Alone, recorded by Consortium in 1970, which was a minor hit in Portugal.[5] He arranged for The Walker Brothers albums No Regrets (1975) and Lines (1976), and for Olivia Newton John (on Come on Over, 1976). He also arranged for Petula Clark and Tom Jones.[1]
Library music and WASP
Gray was also involved in sessions for library and production music for KPM which led to opportunities to compose as well as perform. Late in 1972 he founded WASP, a group specifically set up to record library music. Included were Brian Bennett (drums), Clive Hicks (guitar), Duncan Lamont (saxophone) and Dave Richmond (bass guitar). WASP circumvented Musicians' Union restrictions on library music sessions at this period by waiving their session fees and relying on payment through PRS performance royalties and MCPS mechanical rights.
Initial albums by WASP for KPM, all issued in 1973, included The Human Touch (KPM 1118), Look on the Bright Side (KPM 1119), Daybreak (KPM 1120), and Fusion (KPM 1121). One of Gray's pieces, "Snowdrops and Raindrops" from The Human Touch, was issued as a commercial single by EMI. Music by WASP was featured heavily in the television crime drama series The Sweeney, some of it issued on The Hunter (KPM 1157) and Drama (KPM 1168), both 1975.[2]
Gray arranged Jonathan Hodge's score for the Richard Burton film Villain in 1971.[2] At the request of director (and fellow musician) James Kenelm Clarke he composed the score for the British film Exposé in 1976. It was recorded at the KPM Studios at 21 Denmark Street and scored for four violas, percussion, piano and synthesizer.[2]
Gray also composed production music for other labels, including Amphonic and Bruton. Among his compositions is the song "Great Ovation", the opening fanfare of which was used on many tapes from Walt Disney Home Video and its subsidiaries. "Great Ovation" was also featured in the Bruton Music album Televisual which was released in 1984.[6]
