Stuart Brisley

In 1968 he took part in the occupation of Hornsey College of Art by staff and students, the "Hornsey sit-in".^[3]

From the 1960s and to the early 1980s he was active as a performance artist; his works were inspired by Marxist political ideas, and frequently used extended duration as an aspect of the performance.^[2][3] In the 1980s he turned to sculpture and installation art.^[2]

After a long academic career,^[3] Brisley is a Professor Emeritus of the Slade School of Fine Art.^[4]

• John Douglas Millar (April 2012). Stuart Brisley: Next Door (the missing subject). Art Monthly, p. 18.
• Penelope Curtis (2003). Sculpture in 20th-Century Britain (2 volumes). Leeds: Henry Moore Institute.
• Richard Gott (1996). Stuart Brisley: Black. London: South London Gallery. ISBN 1898461074.
• Michael Newman, Erica Davies (2002). Stuart Brisley: Performing the Political Body and Eating Shit, in The Collection of Ordure. Art Data. ISBN 9780948687259.
• [Stuart Brisley] (1981). Audio Arts: Volume 4 No 4. Audio Arts Magazine 4 (4).