Suspended cymbal

In an orchestral setting, suspended cymbals are most often used for rolled crescendos, or swells. To do this, the percussionist uses a single-stroke roll on the outside edge of the cymbal, using soft mallets, one on each side. The terminology most commonly used to describe this technique is a suspended cymbal roll. At times, a score also calls for hitting the cymbal with a stick or scraping it with a triangle beater. Other techniques utilize the bow of a contrabass, to be drawn slowly across the outside rim of the cymbal. This technique will give a very shrill, eerie sound, particularly useful in film music. Another lesser-known technique is to place a suspended cymbal upside down on a timpani head. The timpanist is instructed to roll ad lib on the suspended cymbal while moving the timpani pedal up and down as a glissando. Film composer Danny Elfman has made great use of this technique, which needs to be performed in a more "transparent" orchestral setting to be heard.

Other composers will use a sample, or recording, of the cymbal struck by a mallet with a long, natural decay. They will then play that segment backwards, so the effect heard is a crescendo to a crisp cutoff of the sound. This is used to great effect for film and pop music to punctuate scenes in many reality television shows.

In a drum kit, nearly all the cymbals used are suspended cymbals in the broadest sense, the main exception being the hi-hat cymbal.