Sybil Eaton

Eaton was involved in the Rural Music School movement founded by Mary Ibberson in 1929, including with the Wiltshire Rural Music School^[12][13] During World War II, the movement helped to inspire the introduction by the Council for the Encouragement of Music and the Arts of the "Music Travellers" - intended to raise morale among the British population.^[14][15] Under the auspices of the Rural Music Schools, the Music Travellers were led by Eaton.^[14] Concerts were arranged in teacher training colleges, and visits by the London Philharmonic and London Symphony Orchestras to smaller towns and industrial areas were organised.^[14] A start was made in sending soloists or small groups of instrumentalists to factory canteens.^[14]

The Music Travellers were described as being "remarkably successful in... efforts to make music and to help music to be made".^[14] During the first six months of 1940, The Music Travellers started 37 new orchestral groups and 244 new choral groups, as well as helping to organize 254 concerts and festivals, attended by over 40,000 people.^[14]

The Music Travellers were cut significantly in 1943, and disbanded the following year, when they were replaced by regional officers.^[4][16] Eaton wrote of her disappointment at the end of the project:

The cut in money for direct concerts is a shattering blow... Now, having created the demand, mobilised the enthusiasts and built up audiences, the cut has come, without warning... It will strain all our loyalty to CEMA to explain the sudden change without causing bitter resentment, and it will take all our courage to go on, refusing people we have taught to ask, breaking promises wholesale, with our dream of taking music to our whole region shattered.^[16]

In 1945, a concert was held in Eaton's honour, featuring the Menges String Quartet and Margaret Ritchie.^[17] Ralph Vaughan Williams and Steuart Wilson spoke in praise of Eaton's work for music during the war.^[17]

In his 1982 autobiography, composer Christopher Le Fleming wrote:

For us in Wiltshire, as for so many elsewhere, Sybil Eaton will long be remembered with affection and admiration. The combination of brilliant and eloquent playing, allied to charm of manner, provided the essential vitamins needed to encourage the often difficult task of getting small isolated instrumental groups ‘off the ground.’ Sybil would offer two or three days and, in exchange for transport and hospitality, play to school and village audiences.^[18]

Sybil Eaton died on 6 September 1989.^[2] A memorial service was held at the Savoy Chapel was held in October.^[19] A collection of her papers were donated to the Dartington Hall Archive, and are held by the Devon Heritage Centre.^[20][21]