Reviewing a 1989 performance by the Philadelphia Orchestra, Lesley Valdes of The Philadelphia Inquirer wrote, "Although it sometimes overstresses its points, the symphony has heft and atmosphere." She added:
The symphony does not lack for musical ideas, which appear to be organized tidily; some are presented with fine imagination. Atmosphere, more than dramatic import, appears the composer's suit; and for ideas and atmospheric effect, one most admired the work's inner movements. The second, a sort of scherzo, features the woodwinds in lissome questionings that are summarily answered by the horns. The andante offers the sort of shimmery-to-sustained string playing that calls to mind foggy landscapes a la Eugene O'Neill; its melancholy state was excellently indicated by conductor and ensemble alike.[4]