Talk:Betty X
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 | This article was nominated for deletion on 21 December 2015. The result of the discussion was delete and redirect to Betty Shabazz. |
Request to restore deleted page - Betty X
| Already directed to WP:DRV in multiple places. NinjaRobotPirate (talk) 03:24, 15 February 2016 (UTC) |
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| The following discussion has been closed. Please do not modify it. |
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Betty X is an influential female musician, conceptual artist, and songwriter that first made her impact in Seattle during the 1990's. She has been described by Seattle publications as a "Dangerously sexy blend of poisonous and volatile apocalyptic-metal with sarcastic aggro female vocals." Betty X has become one of the most recognized names in conceptual art, post-apocalyptic rock - not just in Seattle, but in Austin and Los Angeles, as well. She continues to be a powerful influence for female singers/songwriters/artists/musicians and participates on many panel discussions and appearances along with Patti Quatro and others, in addition to her live performances and collaborations with such bands as Ministry and Pigface. Betty X is currently gearing up to release her fifth solo album, which is being co-produced by the legendary Al Jourgensen of Ministry fame, confirming her presence as a current and relevant musician. This article supports the claim that Betty X has played with Ministry, [1], and removes any question of the claim's validity. This article [2], as well as this book excerpt, [3], confirm and validate her work with Martin Atkins and Pigface: Tour Smart. From her first band, Salon Betty, which performed with Alice In Chains and other influential Seattle bands, to being featured on the new Surgical Meth Machine (Al Jourgensen's new project) to be released April 15th on Nuclear Blast records, Betty X continues to be relevant in the music industry. Betty X is affiliated with Salon Betty, Satan in High Heels, Ministry, Pigface, Sheep on Drugs, and Surgical Meth Machine. She has current websites and fan pages including [4], [5], [6], [7], [8]. It would be a detriment to the history of female artists and musicians, as well as the history of post-apocalyptic rock, music in Seattle, etc. With all due respect, I am requesting that this page, which has been active for over 10 years, be fully restored. Any claims that were deemed to be without validation will be updated, as well as any other pertinent information. Not only does the removal of this page have an impact on booking agents, etc., to research Betty X, but it also hinders the education of younger generation conceptual artists, musicians, singers, and songwriters.Terivangogo (talk) 21:09, 14 February 2016 (UTC) References
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