I would like to revise my suggested contribution in order to better illustrate the significance of the 1976 Citation as well as the 1976 and 1978 exhibitions. I would like to propose the following content, which I am submitting here first for commentary because of a possible COI. I will leave this suggested contribution here for one week, so that members of the Wikipedia community can offer their thoughts on it before I make any edits. I look forward to hearing your comments:
In 1976, Don Freeman was recognized by the City of New York for his body of work portraying the city. The New York Daily News reported on the Citation from Mayor Abraham D. Beame, which was presented to Freeman at the opening of his one-man retrospective exhibition at the Margo Feiden Galleries Ltd. in Greenwich Village. [1] In a measure of Freeman's national fame, The Christian Science Monitor also covered the 1976 exhibition as well as a 1978 retrospective also held at that gallery, both of which showcased Freeman's drawings, oils, prints, and his limited-edition self-published periodical, Don Freeman's Newsstand. [2] [3] [4] [5]
^ Leogrande, Ernest (March 30, 1976). "Back when Big Apple was Ripe". New York Daily News.
^ Beaufort, John (April 28, 1976). "Artist in Residence of the New York Stage". The Christian Science Monitor.
^ Beaufort, John (February 24, 1978). "Freeman's Art Caught Stream of Life in Bygone New York". The Christian Science Monitor.
^ "Goings On About Town," The New Yorker, April 12, 1976, p. 11
^ "Goings On About Town," The New Yorker, March 13, 1978, p. 14
Many Thanks, Factor-ies (talk) 02:43, 2 August 2013 (UTC)
References
Leogrande, Ernest (March 30, 1976). "Back when Big Apple was Ripe". New York Daily News.
Beaufort, John (April 28, 1976). "Artist in Residence of the New York Stage". The Christian Science Monitor.
Beaufort, John (February 24, 1978). "Freeman's Art Caught Stream of Life in Bygone New York". The Christian Science Monitor.
"Goings On About Town," The New Yorker, April 12, 1976, p. 11
"Goings On About Town," The New Yorker, March 13, 1978, p. 14