Talk:Lavender's Blue

Since we have partial agreement to restore the original paragraph about recordings, I have transferred a slightly rewritten and resourced version, so we can see how it looks. The rest of the list is left in place for now, although the template (which I did not author) warns - "Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources, rather than simply listing appearances. Unsourced material may be challenged and removed." My instinct would be to move all the unsourced material over to the Talk page here, but let's see what other editors can find that goes beyond original research. Sweetpool50 (talk) 13:42, 22 April 2021 (UTC)

Alright, very well, this is fine. I have no objection to rendering the rest of the list of recordings into prose also. There's benefits and downside either way, and either way is fine, you seem to prefer prose, so let's do that.

I've a suggestion for a tweak, which is to put the recordings in this order, probably in three separate paragraphs, like this:

1. The Burl Ives version. I'm entirely sure that this was the revival of the song. All the others followed after this. It's sky-is-blue self evident, witness the plethora of pop versions that followed where there'd been none before.

1. The important versions -- basically, the hits.

1. The other recordings.

So, (and also putting in some info re uses and versions that weren't records), something like this:

A version of the song, titled "Lavender Blue", was featured in the 1949 Walt Disney film So Dear to My Heart, where it was sung by Burl Ives. This version was nominated for Academy Award for Best Original Song in 1949 (losing to "Baby, It's Cold Outside" from Neptune's Daughter). This version of the song was credited to Eliot Daniel (music) and Larry Morey (lyrics). "Lavender Blue" was one of 400 nominees for the American Film Institute's "100 Years... 100 Songs" list of the 100 greatest film songs, which was presented on a television program of that name which aired on June 22, 2004, but it didn't make the final list.^[4][5] The appearance of "Lavender Blue" in the Disney film sparked a revival of interest in the song.

Ives' version was released as a record in 1949, and other recordings soon followed. Sammy Kaye also released a version in 1949 which charted at #5,^[6], as did Dinah Shore (her version went to #1 on the Australian chart^[7] and was the title track of her album Lavender Blue^[8] and Vera Lynn (B side of the 78 rpm single Again, backed by Bob Farnon's orchestra,^[9] which reached the Billboard magazine Best Seller chart on January 21, 1949, and lasted 3 weeks on the chart, peaking at #23.^{[citation needed]} A decade later, in 1959, Sammy Turner released a rhythm and blues version produced by Jerry Leiber and Mike Stoller which reached #3 on the Billboard Hot 100.^[10][11]

"Lavender's Blue" continued to be recorded by pop artists throughout the rest of the 20th century and into the 21st. Jazz pianist Jack Pleis recorded Lavender's Blue for his 1955 album Music from Disneyland. Tommy Bruce made a single of it in 1963^[12], and The Fleetwoods recorded a version in 1965.^{[citation needed]} In 1975, the song was interpreted by Leon Russell and Mary Russell for their Wedding Album,^{[citation needed]} and the next year the British early music revival group The City Waites recorded the original 17th-century bawdy broadside version of "Lavender's Green, Lavender's Blue" on their album Pills to Purge Melancholy.^[13] In 1988, Broadway singer Barbara Cook recorded a version for her release The Disney Album.^{[citation needed]} In 1991, The Wiggles included this song on their albums The Wiggles and Pop Go The Wiggles,^{[citation needed]}

In the 21st century, Laura Wright recorded a version for her 2011 album The Last Rose,^{[citation needed]} Alyse Black recorded her rendition of the Sammy Turner version with her band 'Night, Sweet Pea on their 2012 album A Little Line of Kisses,^{[citation needed]} and Reinhard Mey recorded a version for his 2016 album Mr. Lee.^{[citation needed]}

In 2015, Disney revived "Lavender's Blue" as a signature song for another film, Cinderella. It's sung to Cinderella by her mother when she is a child, and reprised during the movie's climax,^[14] and is a motif of the orchestral score throughout.^{[citation needed]}

Other works have incorporated the song or parts of it, or used it as a motif. Benjamin Britten wrote Lavender's Blue into his 1954 opera The Turn of The Screw, where it is sung by the two children, Miles and Flora,^[15] and in Brad Fraser's 1989 play Unidentified Human Remains and the True Nature of Love, lyrics from the song are repeatedly sung by the character Benita. And the song was a prominent motif in M.M. Kaye's 1980 children's novel The Ordinary Princess.

"Lavender's Blue" gave the title to the song "Lavender" by the British band Marillion. Released on their 1985 album Misplaced Childhood, the lyrics and melody of "Lavender's Blue" are woven through the song, which was a number 5 hit on the UK singles chart.^[16][17] Other works titled from "Lavender's Blue" include the 2016 film Lavender (where a sinister version of the song forms a motif), Andre Norton's 1975 novel, Lavender-Green Magic, Kathleen Lines' and Harold Jones's 1954 collection of nursery rhymes and songs Lavender's Blue, and many other books.

There's a lot here, and a lot to think about. I did recast some stuff as I was going thru the material. This was exhausting and I'll have more to say, but later. Herostratus (talk) 01:37, 23 April 2021 (UTC)

Thank you, that's looking good. I'd make the following observations.

1. Since the focus is widened, the section title of Recordings is no longer applicable. How about Revival instead?
2. I'm sure I've seen references to Ives' reviving the song and that needs a source. So far all I've found is this.
3. Details like "(losing to "Baby, It's Cold Outside" from Neptune's Daughter)" are completely off-topic. The focus here is the song, not recording history.
4. Where performances are of lesser notability, we should condense the information to just names and dates - something like:

   Ives' version was released as a record in 1949, and other recordings soon followed: by Sammy Kaye in 1949, charting at #5^[6]; Dinah Shore (reaching #1 on the Australian chart)^[7]; and Vera Lynn (B side of the 78 rpm single Again, which reached the Billboard magazine Best Seller chart on January 21, 1949 and lasted 3 weeks on the chart.^{[citation needed]} A decade later, in 1959, Sammy Turner released a rhythm and blues version which reached #3 on the Billboard Hot 100.^[10][11]

5. Not all appearances of the song are noteworthy, especially brief mentions that do not contribute to a motif. Where they do, we definitely need a source to establish this, like this description of The Ordinary Princess.
6. Mention of appearances in nursery rhyme collections and the like is too trivial. Besides, we mention sanitized versions from 1801 and can just expand that earlier mention with a sentence saying they continue to the present day, often in different and longer or shorter versions.

&&&

1. Dammit here's a complete list of covers including what looks like a Swedish version. We can't list the whole lot, it would be ridiculous. It needs some serious streamlining.
2. Another thought. Perhaps some consideration should be given to the ways in which the Ives version differs from the nursery versions. In terms of the idea of 'revival' we can easily spot copies of Ives since they'll be attributed to the Daniel/Morey team.

Alright. This is fine.

re 1) Yes, absolutely. "Revival" is fine, "After 1949" would be fine too.

re 2) Well we're not saying "Ives' version started a revival". It did, but we don't need to say it since we're demonstrating it. The reader can figure it out. So there's no ref needed, right?

re 3) Fine, I suppose. The article's not too long. But yeah I see your point on the particulars of the song it lost to, I guess. I mean it makes the point "Wow, it lost, but to a damn famous and long-lasting song". We can't say that but we can demonstrate it. Does it matter that it lost to a great song and not a forgettable mediocrity? I dunno. Maybe, to some readers. But either way. it's fine. On that particular point. There's no "Details like X are completely off-topic", each one has to be looked at separately. I'm for including more info not less, generally.

re 4) I mean, I suppose. I think that Lieber & Stoller being involved matters, and since they're very famous it tells a lot of readers "Oh, them; I get a sense of how the song was probably arranged". Other than that, yeah, I'm fine with your condensed version. I mean, I don't know to best serve the reader. Some readers who are benefitted by learning that Vera Lynn recorded a version might also benefit from knowing who's orchestra backed it. Maybe not, I dunno.

re 5) Yes, right. And I did remove most of those. Formerly, there were like 20+ entries for appearences in films and so forth. We don't actually need most of those and they're just clutter, I think we agree. Kept in ones like Cinderalla because that's a big-deal movie and it's used throughout, and like that. Right, sources are needed...

re 6) Well, the thing about "nursery rhyme collections and the like is too trivial", not sure about "and the like". It depends. As far as the "Hey it was the title of this book and that book and so on", we're really just demonstrating that it's just a really well-known song. I don't see what's wrong with that.

re 7) (number 1 again) Well, I think that "is/is not bluelinked" is often a good rubric for these things. First of all, it's a quick-and-dirty measure of notability (if you don't have an article here by now, how notable can you be), it gives us as editors a GO/NOGO bright line so each entry doesn't have to be pondered, and it has a link to offer the reader so there's some value there. I think editors use this standard generally (also for "notable residents" sections of places), altho it's not written down anywhere I guess. And when they don't they should.

So anyways, Dorothy Olson is not bluelinked, she doesn't need to be mentioned. Ditto Bill Hays, Terrea Lea, and probably others. So we wouldn't be adding that many new entries. The new ones that are bluelinked, well -- well hey Mary Martin recorded it. Whoa the Merseybeats recorded it, which is step outside the American Songbook realm and tells us something about how wide rannging its popularity was, I guess. It's not a big deal but it's not nothing. Readers who aren't interested in the various recordings won't be reading the section anyway; readers who are reading the section are interested in the various recordings, or some particular ones, so let's give them all the bluelinked ones.

re 8) (number 2 again), yes fine. Herostratus (talk) 04:01, 25 April 2021 (UTC)

Sorry, I got side-tracked, both by health problems and other research. Let's see if we can establish a final form for the Recordings section on the basis of what we've already agreed. It would be nice if you did the initial draft but I'll try if you'd prefer (always bearing in mind that I'm less of an inclusionist than you!) I'm thinking of doing some more work on textual appearances in earlier sections. Originally the refrain was "diddle diddle" but by the time of Halliwell (1849) there is the "dilly dilly" variant eventually preferred by most recordings. Might we mention the City Waites bawdy recording back then too or must we reserve it for the chronological account we're planning?

I'd like the para's of this section to be themed if we can. The first could concentrate on Ives and successful copies of him; others might be grouped round musical styles (rock, rhythm and blues, jazz and so on). All mentions should be sourced, so we needn't go into much more detail; interested readers can then click on the link to find more details than the who and when.

I'm a bit jumpy about starting another section on 'popular' appearances in other media. Part of my research (via Advanced Book Search) uncovered incidental references in 1890-1910 novels where the rhyme serves no thematic purpose. The song, being as much part of popular lore as proverbs and idioms, is bound to occur all over the place and I'd question the usefulness (and possibility) of listing all allusions. Anyway, let's finalise the recordings section first and get that in place before planning anything else. Sweetpool50 (talk) 14:29, 29 April 2021 (UTC)

This song also features in the 2022 second season of Bridgerton, in episode 3 (A Bee in Your Bonnet) at approximately 29min 20s. Is this worth making an entry of in the Revival section? 1.141.218.157 (talk) 10:07, 27 May 2024 (UTC)

Not notable Sweetpool50 (talk) 11:11, 27 May 2024 (UTC)

An editor (User:Binksternet) removed a fair amount of material, as of course is his perfect right per WP:BOLD but I've reverted it WP:BRD, and we can talk this over. One good reason, besides this being good practice, is that there's been a lot of discussion about some of these things, above, which we can also consider, if appropriate maybe.

The editor's edit summary, satisfyingly detailed, was "WP:SECONDARY analysis of the primary source is essential in order to call something a "signature" theme or a "sinister" motif. Cannot cite secondhandsongs or discogs.com per WP:USERG. WP:SONGCOVER sets a high bar to inclusion"

OK. So... it's my understanding that works of literature are their own references (and this includes songs and films). Otherwise we would have to remove the "Plot" sections from 99% of our book articles, and a similar percent of film articles, and descriptions of songs, and much else. Readers wishing to verify are supposed to get ahold of a copy of the book, film, or record and use that.There are good reasons to do this and bad reasons, but it is common practice.

Discogs isn't really very unreliable in the actual real world we inhabit, and anyway the photos of record labels... these are not being photoshopped with false information and uploaded in any significant quantity, and the burden to show that there is such a wide-spread conspiracy would be on the asserter. At any rate Discogs is a just a convenience for the reader such that to the extent that she wants to trust Discogs she won't have to go to the library or Amazon or whatever to get a copy. She can if she wants of course. This certainly applies to the photos of records at the very least. But at any rate, it's just an extra convenience. To deny this convenience from the reader would be kind of rigidly bureaucratic IMO, altho it is defensible I suppose.

WP:SONGCOVER is apparently from a Wikiproject which states "Only cover versions/renditions important enough to have gained attention in their own right should be added to song articles" another things, which is a reasonable opinion, although indeed pretty strict. I don't know who wrote it, and I don't agree with it, and I don't think it applies to other media such as listing remakes of films and so forth, so it's kind of an outlier I believe. Beyond the fact that the material is surely of some use for a non-zero number of readers doing a particular type of research or who wish to drill down (and why leave them out in the cold), you have that lots of cover versions can demonstrate that the song remained kind of known rather than forgotten during this period. Uses outside of cover versions (eg in films) can demonstrate the same thing, as well as (sometimes) demonstrating that the audience is expected to know the song (if the context fits) which also tells something useful about how widespread the song was. Benjamin Britten being up on it and on board with it enough to use it tells something useful I think. And so forth. It's up to the reader to reach that conclusion or not; we are merely providing some facts. Anyway, the burden is on the remover to show how the material degrades the reader's experience. (Some material can, by for instance burying key points with too much detail; I don't see that applying here, as the material is segregated into a separate section which the reader can skip.) And the article is not too long.

"Signature" theme and "sinister" motif etc. may fall under the sky-is-blue rubric which the reader will surely find true if she listens to the source work. It's a bit of a slippery slope, as "theme" and "motif" could also be challenged, and really a lot of things like that in a lot of articles. And its not like I made this stuff up. If not they could removed, but best practice would be to find the references, or failing that to tag for someone else to do as well as alerting the reader. Unless the editor believe that the characterizations are wrong or misleading (they're not), I'm not seeing the need for haste here.

Just to note, in case this is play, {{citation needed}} serves the double purpose of alerting the reader to take the statement with a good grain of salt, and alerting the reader/ editor that it'd be great if she wants to go find some refs and put them in. It's not supposed to be a flag "hey here's a chance to delete some material". Obviously this is a case-by-case issue.

We can hear other arguments, or see if other voices want to weigh in. Herostratus (talk) 06:42, 9 August 2024 (UTC)

Per WP:ONUS, the burden is actually on the person who wants to include material to show that the material is worthy. Disputed material stays out until such consensus is formed. This is hard policy.

The strict guideline at WP:SONGCOVER represents years of consensus at music topics. It's not new or fringe. SONGCOVER is fuelled by WP:INDISCRIMINATE—the policy that Wikipedia should not be an indiscriminate collection of information. A list of facts should contain the important ones, not an exhaustive list of every known example. We should relay to the reader only those points that are part of the literature on a topic, and we should supply context so the reader can learn something. WP:SECONDARY sources are the foundation of Wikipedia, and should be used to anchor the important facts. If a fact has been discussed by independent observers, it is part of the literature and is important enough to include.

For instance, the fact that Laura Wright recorded the song isn't so remarkable unless a reliable source says it is. AllMusic just lists the song as part of the album, same as The Express. The Independent doesn't even list it. None of these sources call out the cover version as exceptional. Binksternet (talk) 15:46, 9 August 2024 (UTC)

In view of the fact that the many instances of reuse of the rhyme in the 19th century are noted simply by the sentence "Similar versions appeared in collections of rhymes throughout the 19th century", it is evident that the extended chatter about its reappearance during the following centuries is a flagrant example of WP:UNDUE which should definitely be abreviated. Sweetpool50 (talk) 09:50, 10 August 2024 (UTC)

Mnmh. Thanks for taking the time to make a detailed response. Lot to chew on here.

I can't read all the rules here, but I do know that WP:BRD is a key support to the project. It seems that WP:ONUS is talking about recently added content. It looks like a lot of the redacted material was a "stable version", going back years, so BRD must rule for that type of content, else chaos would reign.

Also I note that there are a couple extensive threads above about details of the article. So its not like someone just dropped this stuff in.

So, here's a point: use of the song has persisted into the 21st century. We don't have an article saying that, but we do have examples sufficient for readers to learn this. It's worthwhile to know. With these redactions, there's nothing on the 21st century, so the reader might be "Huh, seems to have dropped out of sight again" which isn't true and why mislead the reader. The "sinister" thing is WP:SKYISBLUE. Find me a human person who's seen the movie who wouldn't agree that it's sinister.

20th century, I guess its OK. I'd keep the bluelinked people in, but fine.

So Discogs... complicated question. Actually there's a current active RfC on the matter here at the RS noticeboard. But whatever. Not going to die on that hill.

"Similar versions appeared in collections of rhymes throughout the 19th century" could be expanded on -- "The Lady's Song in Leap Year" and "The Entertainment of My Dog and I". Maybe we should. But maybe not, cos unlike name-checking Dinah Shore and Sammy Kaye etc etc (who also are bluelinked if the reader doesn't know them) these titles are going to mean nothing to the modern reader. So not the same.

Anyway per WP:BRD I'm going to restore the 21st century stuff anyway. It's objectively an asset to the article and that matters, a lot. Some of the 20th century stuff also. There's certainly no rule saying we shouldn't have that stuff, so it's a matter of opinion, and removing it isn't an improvement IMO. Herostratus (talk) 04:01, 5 October 2024 (UTC)

I'm reverting a reversion against WP:CONSENSUS. A version of an article packed with transgressions against guidelines is not "stable" and the key rule anyway is WP:RS, in which purely primary sources are invalid without the backing of secondary sources. WP is not meant to be an inferior version of Melody Maker or fan mags for a reader to chase up the history of a song. If it's so unnotable that a source cannot be found to say covers continue to be made, which is all that continuation needs, then they don't deserve mention. Sweetpool50 (talk) 10:27, 5 October 2024 (UTC)

I'm not seeing two to one as a consensus. I would disagree that "WP is not meant to be... for a reader to chase up the history of a song". We may just have fundamentally different ideas of what this project is trying to do I guess. We'll have to agree to disagree. Also as to consensus, well, in threads above there extensive back-and-forth between User:Sweetpool50 and me, with give-and-take on both sidesand we came up with a compromise. That's only two people but it was extensive work, so it's not nothing. It's better than didactic rigidity IMO.

Rules are important, no doubt. They (are supposed to) codify good practice so you can see right off what is common good practice (altho in real life they are often some group of editors telling everyone else what to do (what're you gonna do -- people!)).

WP:SONGCOVER is also a good point. But it's universally ignored. As an actual fact on the ground, editors seem to have voted with their feet to often add versions to song articles. Rules that are commonly ignored are of little weight when invoked. For fun, I'll go down the list in "Category:1954 songs" (chosen at random) without fear or favor and see which mention covers (in list or text) which don't meet WP:SECONDARY. Here goes:

• Accarezzame -- Yes includes covers that don't meet WP:SECONDARY. All bluelinked artists. (FWIW also includes track listing, also a rule violation, cos (for some random reason) track listings are proscribed for singles but not albums -- I think? Its in "Single track listings" and not 100% clear.)
• All Hail to Massachusetts -- No (altho I doubt there are any recorded covers).
• All of You (Cole Porter song) -- Yes. Many covers, all to blulinked artists. Each one has a ref (good job editor!), but half to Discogs and half to Allmusic, which is "marginally reliable", and it says "Listings without accompanying prose do not count toward notability" which these don't have (they're bare listings of details, altho they do give 1-5 star ratings, which could be taken as "discussion" I guess, altho not "text" so hmmm). Discogs is considered worthless as a ref and even if it wasn't it just has bare listings. (If Allmusic listings are considered a secondary source, I see that there are about 15 versions of "Lavender Blue" which we could have.)
• Am I a Toy or a Treasure -- No. Sticks strictly to the one chart-making version.
• Angel of Death (Hank Williams song) -- Just a redirect to a list of his songs, no article.
• Angels in the Sky (Dick Glasser song) -- No, sticks to the rule.
• Annie Had a Baby -- No. Answer song, probably had no covers.
• As Far As I'm Concerned -- No.
• The Auld Triangle -- Yes. All bluelinked artists but one.
• Baby Let's Play House -- Yes. List of 5, one was a #84 and one is surely notable, the other 3 don't qualify. All bluelinked artists.
• Back Up Buddy -- No.
• The Ballad of Davy Crockett -- Yes. Lot of charting versions mentioned, but some uncharting ones too. All bluelinked artists.
• Baubles, Bangles, & Beads -- Yes. All bluelinked artists.
• Big Long Slidin' Thing -- Yes. Mostly blacklinked artists.
• Black and White (Pete Seeger song) -- Yes. All bluelinked artists.
• A Blossom Fell -- Yes. All bluelinked artists.
• Blue Monday (1954 song) -- Yes. All bluelinked artists.

That's the end of the B's. More than half include these kinds of covers. Probably other random checks would come out similarly, anyone is welcome to do that (I didn't check these beforehand; whatever the outcome, I was going to list them.)

So... WP:SONGCOVER isn't a viable rule. Sorry. Some editors got together and wrote it down. Anybody can write down anything and call it a rule. I get that some editors may wish was a rule. Maybe it once was common practice but there's been a sea change. Who knows, but applying a not-really-a-rule here and there at random is no way to run a business. It's actually an invitation to various kinds of not-ideal situations.

But if you want to go over to Songproject and mobilize an effort (major effort!) to redact all these (which would kind of have a "We're-you're-boss-you're-just-a-worker-and-you'll-do-as-we-say" vibe, considering to all the editors who've voted with their feet to include these cover versions, but whatever) be my guest and good luck.

It does look like the common practice is to include only bluelinked artists. Eminently reasonable -- we basically de facto do that for "notable residents" sections of town articles, altho its not written down anywhere I think (horrors!). Since its common practice and reasonable I'm fine with codifying that.

What can I say? People like write down cover versions. People like to read them. They seldom detract from the utility of an article, and overall are an asset to most. What're you gonna do? Like it or not, it is what it is.

And so, given the above data, if you want do dueling-rules, WP:NOTBURO is a policy ("Although some rules may be enforced, the written rules themselves do not set accepted practice. Rather, they document already-existing community consensus regarding what should be accepted and what should be rejected... If the rules truly prevent you from improving the encyclopedia, ignore them. Disagreements are resolved through consensus-based discussion, not by tightly sticking to rules and procedures.") So there.

So, dueling rules, dueling opinions -- I'd be justifed to roll back per WP:BRD. But BRD has an interesting little flaw which is sometimes exploited -- we've both done two rollbacks now (your first redaction was not a rollback) so it'd be my third and I'd be liable to be brought up on WP:3RR charges, and lose. That puts the original redactor in the catbird seat, which turns BRD on its head. So I'm not gonna. But maybe we should have an RfC, I don't know. In which case it'd be justified to roll back for discussion purposes and bad politics to object. Herostratus (talk) 23:30, 5 October 2024 (UTC)

I was simply taking a poke at Bink's talk page out of boredom and wasn't expecting to run into this whole discussion, but I wonder if my input may be of use. After reading this discussion and not having looked at the material in question, here are my initial thoughts:

• Both sides have valid points, that can't be denied.
• Binksternet makes the strongest elevator pitch in my opinion. A simple explanation based on policy and past general editor agreement.
• Herostratus gets the "Probably Makes Teachers Sigh" award because he's definitely done his homework on this. Said teachers know they really should review those examples but they're running on their 5th cup of coffee by now and want to get home.
• And SweetPool50 gets the "Reverted Content While Debating About Said Content" award. They make good points, but to be honest, those points were more concisely expressed by Bink.

Addendum: Alright, it's been almost half an hour since I wrote the bit above. I've reviewed the edits and content in question and gone through a few policies and essays. The use of discogs.com seems to be the primary issue here. From what I've gathered, using it as a reference could just work via WP:MINIMUM. I am aware that is an essay detailing a section of the notability guidelines and talks about articles instead of content within articles specifically, but it's still helpful in these situations.

To quote the essay, "An article does not need to assert the notability of its subject. WP:NEXIST says that notability depends on the existence of sources, not their immediate citation. It is, of course, desirable for an article to indicate why its subject is notable, but failure to do so is not a grounds for deletion." Now let's look at these edits as a part of the whole, as part of the "Revival" section. The impact/influence of the song is evident through the inspiration it had on the composition of other songs, as well as through the covers included by merit of them gaining enough coverage in reliable sources.

What does that mean for those covers currently not included? Well, I personally lean towards MOS:POPCULT applying here. To summarize from there: if a reliable source for posting articles on your subject's topic/genre/etc talks about why X did Y and explains it as Z, then it's notable and can be included. If it's covered by a bloggish website that only mentions X doing Y because X was in the TV show they're reviewing, then it's not exactly notable.

Welp, I've said my piece now, and that took way longer (and was more interesting) than anticipated. At the end of the day though, we're all here to try and collectively improve a collection of humanity's content deemed coverage-worthy by scraping together whatever truth we can find. It's a great mental exercise and it definitely matters, but I tend to see Wikipedia through the eyes of a Dungeon Master: if the discussion over whether the Sorcerer can use his Twinned Spell metamagic to cast two Fireballs for the price of one spell slot is taking the group through three handbooks and devolves into a debate about RAW vs RAI, then it's time to cancel the pizza you ordered and go on a walk to clear your head. Sirocco745 (talk) 06:04, 7 October 2024 (UTC)

N.B., I just posted this latest post over at Wikipedia talk:WikiProject Songs. This needs some serious thinking about by a good group of people. Herostratus (talk) 23:32, 5 October 2024 (UTC)

The WP:ONUS policy is about disputed material staying out. It doesn't say anything about text being allowed to stay because it is part of the "stable" version. A new dispute can result in longstanding text removed. Binksternet (talk) 13:29, 7 October 2024 (UTC)