Tattooed Salome
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| Tattooed Salome | |
|---|---|
 | |
| Artist | Gustave Moreau |
| Year | 1874 |
| Type | oil on canvas |
| Dimensions | 92 cm × 60 cm (36 in × 24 in) |
| Location | Musée National Gustave-Moreau, Paris |
Tattooed Salome or Salome is an oil on canvas painting by Gustave Moreau, begun in 1874 but never completed - for example, the tattoos were added in the painter's last years over the original layer. It is now in the Musée Gustave-Moreau, in Paris.
This painting was started around 1874 and remained unfinished. There were other paintings about Salome which were presented at the Salon of 1876. The superimposed motifs were added to this canvas in 1890, after the death of Alexandrine Dureux.
Unlike in The Apparition, John the Baptist is absent here; it's Salome who takes the center stage. This painting is in fact a variation of the scene of Salome dancing before Herod. She stands facing her front, naked, slightly swayed, with her face in profile and her left arm raised. Herod is in the background on a throne and with the executioner of Saint John the Baptist nearby. An entire decor is superimposed on the canvas, giving the appearance of a tattoo.[1]