Telekinesis (song)

"Telekinesis" was originally a gospel song recorded for Kanye West's albums Jesus Is King (2019),^[1] and Donda (2021). It went by multiple different names during production, including "Future Bounce", "Future Sounds", and "Ultrasounds".^[2][1] The song had previously leaked online, with Travis Scott as a featured artist, and was used in promotional material by West.^[3][4][5][6] After scrapping it, West repurposed the chord progression for the Donda track "Heaven and Hell",^[7] and later gave it to Scott.^[8] Like with other songs that were originally West's, such as "God's Country" and "Thank God", his vocals were removed from the final version.^[4]

Through most of the song, soft, wavy synthesizers are played in the production. During Travis Scott's chorus refrain, the instrumental uses "quick snare hits, deep bass, trill hi-hats, and industrial tones",^[3] coming in when he proclaims "the future of the bounce". Future's lyrics revolve around isolation increasing his drug addiction,^[9][10] while SZA laments losing a past lover, referencing the song "Marvins Room" by Drake.^[9] The track samples "Arena — 83 bpm" by Wallis Lane.^[6]

The song received generally positive reviews from music critics, with particular acclaim towards SZA's guest appearance. Complex's Stefan Breskin considered it the best song from Utopia, while Eric Skelton commented that the song "jumped out on first listen" and Mike Destefano called it a "close second" for him. Jessica McKinney and Destefano also regarded the song as having among the album's best features.^[11] Gabriel Bras Nevares of HotNewHipHop said, "Out of all the gorgeous moments on this new LP, 'Telekinesis' with Future and SZA is one of the most ascendant." He further stated "SZA's beautiful vocal performance and rapping paired perfectly with rising synths and string arrangements" and compared the song to Travis Scott and Beyoncé's "Delresto (Echoes)" in that "'Telekinesis' opts for consistent and elevatory progressions rather than a big payoff. As a result, it might not gratify you on impact, but every melody and second of its journey will work its way into you."^[3]

Vivian Medithi of HipHopDX commented "Unlike the rest of Scott's [Donda] leftovers, Utopia breathes new life into the track, if only by passing the baton to Future and SZA", before calling the song a "great example of why people bother with these records in the first place."^[2] Pitchfork's Alphonse Pierre wrote that "Future is strong over the orchestral beat of 'Telekinesis,' and I like when he raps, 'Countin' so much money till my skin peel.' SZA is here, too, sounding good and sounding like she's collecting a check."^[12] Andre Gee of Rolling Stone commented that Scott had a "solid verse" on the song, also praising Future's verses, adding that, "When Future laments on 'Telekinesis' that he's 'takin' more drugs all alone in a mansion/Walkin' around tweakin' with the yop in my hands,' you feel like someone's finally depicting what rich-nigga nihilism is supposed to sound like."^[10] Ben Devlin of MusicOMH wrote that "Scott's match-making reaches its apex" in the song.^[9] Mackenzie Cummings-Grady of Billboard ranked it as the best song from Utopia.^[13]

On January 8, 2025, songwriter Victory Boyd filed a copyright infringement legal complaint against Scott, SZA, and Future, alleging that "Telekinesis" utilized elements of her 2019 song "Like the Way It Sounds"^[1][14] – reportedly written during the studio sessions for West's album Jesus Is King^[15] – without her permission.^[1][14] The suit alleged that Boyd, who is credited as a co-writer on "Telekinesis", shared her original song with West, who then recorded a version titled "Ultrasounds"; West then shared the track with Scott without Boyd's "authorization, knowledge or consent".^[1][14] She requested that all the defendants "recall and destroy" any work containing "Telekinesis".^[1] Boyd also sued watchmaker Audemars Piguet for using "Telekinesis" in a collaborative advertising campaign with Scott's Cactus Jack brand, despite her refusal to grant them a license.^[14][15]

In response, Scott's lawyers stated in a July 14 motion that Boyd's lawsuit should be dismissed, as she failed to mention that West had contributed to the composition of "Like the Way It Sounds". In her original filing for the complaint, Boyd acknowledged that West had provided her with the "chords and beats" for the song, yet claimed sole authorship.^[16] In 2023, she filed a registration with the U.S. Copyright Office, naming herself the sole author of "Like the Way It Sounds", but later filed a second registration for only its lyrics in June 2025.^[16] Scott's legal team argued that both filings should be voided, as the first failed to name collaborators while the second was made after the case had begun.^[8] In a statement to Billboard, Boyd's attorney Keith Richard said they would "file opposition papers within the next two weeks", expecting Scott's motion "to be summarily denied in short order."^[16]