Terra Incognita (Chris Whitley album)
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| Terra Incognita | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | February 18, 1997 | |||
| Recorded | March – April 1996 | |||
| Genre | Rock | |||
| Length | 42:01 | |||
| Label | Work[1] | |||
| Producer | Chris Whitley, Toby Wright, Dougie Bowne | |||
| Chris Whitley chronology | ||||
| ||||
Terra Incognita is the third studio album by singer-songwriter and guitarist, Chris Whitley, released in 1997.[2][3]
It was produced primarily by Chris Whitley, Toby Wright, and Dougie Bowne.[4] The album was recorded primarily by Mark Howard (assisted by Wayne Lorenz) at Boulevard Teatro in Oxnard, California. It was mixed primarily by Toby Wright (assisted by John Seymour) at Electric Lady Studios in New York City.
Additional recording was done by Dinky Dawson at the Best Western Highway Inn in Salem, Oregon ("As Flat as the Earth (exp)"), by Chris Whitley at the Sheffield Holiday Inn in Sheffield, Alabama ("Immortal Blues"), and by Toby Wright at Electric Lady Studios in New York City ("Alien").
Additional production and mixing on "Automatic" was done by Michael Barbiero.[5]
The album's title was inspired by Dime-Store Alchemy: The Art of Joseph Cornell by Charles Simic.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [6] |
| The Encyclopedia of Popular Music | [7] |
| MusicHound Rock: The Essential Album Guide | [8] |
The Washington Post called the album Whitley's "best work yet," writing that "it has lots of loud, abrasive guitars, but they ebb and flow, allowing the blues-flavored songwriting to come through clearly and strongly."[9] No Depression wrote that "Whitley's falsetto sounds wonderfully spooky, and his slide playing threatens 'As Flat As The Earth' and 'Immortal Blues' with a naturally sinister feeling."[10] Trouser Press wrote that "much of the record evinces mechanical imagery in titles like 'Gasket' and elliptical lyrics about steel and faulty airplanes."[1] The New York Times wrote that "Whitley infuses [the songs] with a spirit of the blues: a clear-eyed, fatalistic tone that accepts both exaltation and despair."[11]
Nevertheless, Columbia Records dropped Whitley after this album.[12]
