Textuality (film)

The film was not well received by critics. Norman Wilner of Now wrote that "No point mincing words: Textuality is a sorry excuse for a romantic comedy. The characters are one-dimensional, the script is banal, and the social media angle the movie works so hard to establish in its opening reel isn’t even relevant to the plot in the end. In that opening reel, though, Textuality flirts with the notion that texting, Facebooking and blogging push people even further away from engaging with one another in the real world. (It’s nothing Andy Rooney didn’t say about the VCR, the answering machine or the cellular phone back in the day, but it’s still an intriguing idea for a movie.) But this is not that movie. Textuality’s script, written by co-star Liam Card, just rehashes ancient rom-com tropes and throws in a few Twitter references to seem contemporary."^[2]

For the National Post, Chris Knight wrote that "The dialogue is deadly. The settings are dreary. Aside from Simone's attractive boudoir, the film features impromptu conversations in a supermarket, on a treadmill, in a change room, at a dinner party, in the bath, after the bath, in a bowling alley and at an art gallery. Of course, some of these conversations also take place over BlackBerrys (hence the film's clever punning title), but the text-message angle adds nothing to the drama." He concluded that "The overall effect of the film is like an independent, lowbudget Sex and the City, only with far less sex and, to be honest, not nearly as much city."^[4]

For the Sun Media chain, Liz Braun was more charitable, writing that "Textuality may not rise much above its genre, but the movie does have some laugh out loud moments and a bit of sizzling dialogue." She subsequently called attention to the fact that the movie's best lines all came from Mike, the character played by the film's screenwriter Liam Card.^[5]

• Textuality at IMDb