The Argument (2005 play)
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Phillip
Herb
| The Argument | |
|---|---|
Off-Broadway promotional poster | |
| Written by | Alexandra Gersten-Vassilaros |
| Characters | Sophie Phillip Herb |
| Date premiered | May 11, 2005 |
| Place premiered | Vineyard Theatre, New York City |
| Original language | English |
| Subject | Abortion, marriage, family |
| Genre | Dramatic comedy |
The Argument is a play by Alexandra Gersten-Vassilaros. Originally premiering Off-Broadway at Vineyard Theatre in New York City, on May 11, 2005. Directed by Maria Mileaf, the production featured Academy Award-winner Melissa Leo, John Rothman, and Jay O. Sanders.[1]
A revised version of the play premiered at Theater J in Washington D.C. in October 2013 to widespread critical acclaim.[2][3][4] The play has since been published/licensed by Samuel French, Inc.[5]
- Sophie
- Phillip
- Herb
Plot
The Argument begins with Sophie, an independent artists in her early forties, meeting Philip, a successful financier nearing fifty. The pair quickly fall into an intense romance, and after only a few months of dating, decide to move in together. Their burgeoning relationship is destabilized when Sophie discovers she is unexpectedly pregnant. The news thrust the couple in a profound, and increasingly heated conflict. Sophie, valuing her autonomy and while simultaneously feeling uncertain about motherhood at this stage in her life, wishes to terminate the pregnancy. Philip, however newly committed to the idea of fatherhood, insists own keeping the child.
What follows in an extended and escalating argument in which both parties attempt to reconcile their opposing desires while preserving their relationship. Their discussion move from reasoned debate to explosive turmoil, exposing deeper incompatibilities, personal fears, and differing visions for their shared future. Attempts at compromise, including enlisting a therapist named Herb, fail to resolve matters. As the conflict intensifies, the couple's relationship deteriorates, as the argument becomes less about pregnancy and more about control. The play ends ambiguously, leaving the ultimate outcome of both the pregnancy and the relationship unresolved, while emphasizing their irreconcilable nature of their disagreement.