The Beggar Queen

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LanguageEnglish
GenreFantasy
The Beggar Queen
First edition
AuthorLloyd Alexander
LanguageEnglish
SeriesWestmark trilogy
GenreFantasy
Published1984 (E. P. Dutton)
Publication placeUnited States
Media typePrint (hardcover & paperback)
Pages235 (first, hardback)
ISBN0-440-90548-6 (first edition, hardback)
Preceded byThe Kestrel 

The Beggar Queen (1984) is a speculative fiction novel by American author Lloyd Alexander. It is the third and last book in the Westmark trilogy. The authoritarian Cabbarus has returned to Westmark and Theo and Queen Mickle, along with their allies, plot a revolution. Upon their victory, Mickle declares a republic and goes into exile with her new husband Theo and their old friends Count Las Bombas and Musket the dwarf.

Lloyd Alexander noted that the book was inspired by several different sources, including the paintings of Francisco Goya and key figures in the French Revolution. As The Beggar Queen was released, publications from Boys' Life to New Directions for Women praised it. It has come under some critique for its heavy subject matter and complex plot, but has also received recognition as a "serious look at revolution and its difficulties and consequences."[1]

Writing on the origin of the series, Lloyd Alexander noted that many of the characters bore at least some resemblance to historical figures--Louis St Just and the radical Justin, Napoleon Bonaparte and "the gallant and charismatic Florian," Giuseppe Balsamo and Count Las Bombas are a few of the notable pairs.[2][3] Similarly, Alexander acknowledged that "an awful lot of situations in Westmark" were inspired by his service in World War II.[4] When addressing a 1985 conference of the Children's Literature Association, he specifically noted that "in The Kestrel and The Beggar Queen, I relied upon my own experiences and observations of some forty years ago."[3] He also stated that Marianstat, the capital city of Westmark where most of the novel's action takes place, was directly inspired by his postwar sojourn in Paris.[2] Inspired by Francisco Goya's Los Caprichos, he realized that The Beggar Queen's true protagonists were the everyday citizens of Marianstat who stood up to Cabbarus, writing that "The vital centers of the story had to do with love, loyal friendships, and, above all, hopefulness and possibilities."[2] In an interview, Alexander also commented that the process of writing the trilogy was "a profoundly disturbing and painful emotional experience" and that its content and themes were "very meaningful and very painful" for him to write about. Apparently, this led to the much lighter adventure comedies of the Vesper Holly books.[4]

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