The Best Offer
2013 film directed by Giuseppe Tornatore
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The Best Offer (Italian: La migliore offerta – entitled Deception in the UK) is a 2013 English-language Italian psychological thriller film written and directed by Giuseppe Tornatore. The film stars Geoffrey Rush as Virgil Oldman, a meticulous and reclusive art auctioneer who becomes entangled in a mysterious romantic relationship with an agoraphobic heiress, Claire Ibbetson (Sylvia Hoeks). Jim Sturgess and Donald Sutherland appear in supporting roles. The music score was composed by Ennio Morricone.
Arturo Paglia
| The Best Offer | |
|---|---|
![]() Theatrical release poster | |
| Italian | La migliore offerta |
| Directed by | Giuseppe Tornatore |
| Written by | Giuseppe Tornatore |
| Produced by | Isabella Cocuzza Arturo Paglia |
| Starring | |
| Cinematography | Fabio Zamarion |
| Edited by | Massimo Quaglia |
| Music by | Ennio Morricone |
Production companies | Paco Cinematografica Warner Bros. Entertainment Italia |
| Distributed by | Warner Bros. Pictures |
Release dates |
|
Running time | 131 minutes |
| Country | Italy |
| Language | English |
| Budget | €13.5 million ($18 million)[1][2] |
| Box office | $20.9 million[3] |
The film premiered in Italy on 1 January 2013 and received a limited release in the United States a year later. It won six David di Donatello Awards, including Best Film and Best Director, and Morricone received the European Film Award for Best Composer. Critical reception was mixed, with praise for Rush's performance and the film's visual style, while some critics found the plot twists predictable.
Plot
Virgil Oldman (Geoffrey Rush) is an esteemed but eccentric managing director of a preeminent auction house. A lifelong bachelor who avoids physical contact and refuses to use a mobile phone, he wears gloves at all times except when handling artwork. Behind his impeccable professional reputation, Virgil secretly operates a long-running scam: with the help of his friend Billy Whistler (Donald Sutherland), he acquires priceless female portraits at auction by having them misattributed to lesser artists, then buys them cheaply through Billy acting as a shill. Over the years, Virgil has amassed a vast private collection of masterpieces worth millions, which he keeps hidden in a secret vault and admires in solitude.
Virgil is hired by Claire Ibbetson (Sylvia Hoeks), a young heiress suffering from severe agoraphobia, to appraise and auction the extensive art and antiques collection left to her by her late parents. Claire refuses to meet Virgil in person, communicating only through phone calls and notes left with the villa's caretaker, Fred (Philip Jackson). Intrigued by her reclusiveness, Virgil becomes increasingly obsessed with Claire, and the two begin a tentative relationship conducted through a locked door.
During his visits to the villa, Virgil discovers a collection of scattered mechanical parts bearing the mark of the 18th-century inventor Jacques de Vaucanson. He enlists the help of Robert (Jim Sturgess), a young and talented restorer of mechanical devices, to reassemble the pieces into an automaton. Robert, who is successful with women, also offers Virgil advice on how to befriend Claire and navigate his growing feelings for her.
As Virgil and Claire grow closer, Claire gradually overcomes her fear and eventually reveals herself to him. Their relationship deepens, and Virgil, for the first time in his life, falls genuinely in love. He shows Claire his secret vault of paintings, and she tells him that whatever happens, her love for him is real. Virgil decides to retire from the auction business and plans a final farewell auction in London.
After the successful London auction, Virgil returns home to find Claire and his entire collection gone. The vault is empty except for the restored automaton, which plays a recorded message from Robert: "There is always something authentic concealed in every forgery," echoing Virgil's own words. Virgil realizes he has been the victim of an elaborate con orchestrated by Robert, Claire, and Billy. A portrait of Claire, painted by Billy, has been left behind with a dedication: "With love and gratitude."
Devastated, Virgil cannot report the crime because his collection was acquired through fraudulent means. He later learns from a woman with savant syndrome who frequents a café opposite the villa that she is the real owner, and that she had rented the property to "an engineer"—Robert. She informs Virgil that "Claire" had left the villa hundreds of times, contrary to her claims of agoraphobia.
After spending months recovering in a psychiatric hospital, Virgil travels to Prague and visits a restaurant filled with clocks and mechanical gearwork that Claire had once described as a place where she was happy. He sits alone at a table, waiting.
Cast
- Geoffrey Rush as Virgil Oldman, a renowned auctioneer and art authenticator
- Jim Sturgess as Robert, a mechanical restorer and illusionist
- Sylvia Hoeks as Claire Ibbetson, a reclusive heiress
- Donald Sutherland as Billy Whistler, an artist and Virgil's longtime associate
- Philip Jackson as Fred, caretaker of the Ibbetson villa
- Dermot Crowley as Lambert, Virgil's main assistant
- Liya Kebede as Sarah, Robert's girlfriend and an art restorer
- Kiruna Stamell as Claire, the real owner of the villa (the woman in the bar)
- Katie McGovern as an art expert
- Maximilian Dirr as Virgil's assistant
- Laurence Belgrave as Virgil's assistant
- Sean Buchanan as Virgil's assistant
- Anton Alexander as a real estate agent
- John Benfield as the barman
- Miles Richardson as the Steirereck Maître d'
- James Patrick Conway as the Steirereck manager
- Brigitte Christensen as the First Daughter
Production
Development
Giuseppe Tornatore wrote the original screenplay for The Best Offer, merging two narrative concepts he had developed over more than twenty years. The story blends romance with mystery and art-world intrigue, exploring themes of forgery and psychological manipulation.[4][5] Tornatore wrote the script in English to expand the film's international appeal, marking his English-language debut.[5] Geoffrey Rush was Tornatore's first choice for the lead role; the director envisioned him while writing the screenplay and later described Rush as "a synthesis of Marlon Brando and Marcello Mastroianni."[6]
Sylvia Hoeks, then relatively unknown internationally, was cast after Tornatore noticed her at the Berlin International Film Festival.[7] The film was produced by Paco Cinematografica in collaboration with Warner Bros. Entertainment Italia, with a budget of approximately €13.5 million.[2]
Filming
Principal photography began on 30 April 2012 in Trieste, Italy, marking Tornatore's return to the city where he had previously filmed The Unknown Woman (2006).[8] Filming took place over five to six weeks in the Friuli-Venezia Giulia region, including locations in Trieste and the province of Gorizia.[8] Additional Italian locations included Milan, Fidenza, Bolzano, Ora, and Merano in South Tyrol.[9] International filming took place in Vienna, Austria, and in Prague, Czech Republic, with a two-day shoot in Prague's Old Town.[10]
The primary villa location was Villa Colloredo Mels Mainardi in Gorizzo di Camino al Tagliamento, Udine, which served as the Ibbetson residence.[11] The café across from the villa was a purpose-built set constructed in Trieste and later dismantled.[11]
The film was shot digitally using Arri Alexa Studio cameras, chosen by Tornatore to achieve a polished, timeless visual aesthetic.[1] Cinematographer Fabio Zamarion employed meticulous lighting and frequent close-ups to highlight the textures of antiques and the characters' emotional nuances.[1]
Music
The original score was composed by Ennio Morricone, marking another collaboration between Tornatore and the legendary composer. Morricone's score won the David di Donatello and the European Film Award for Best Composer.[12] The soundtrack features the following Morricone compositions:[13]
- "Un Violino"
- "Volti E Fantasmi"
- "Cavea"
- "La Migliore Offerta"
Themes and analysis
The Best Offer explores the blurred line between authenticity and forgery, both in art and in human relationships. Virgil's oft-repeated maxim—"There is always something authentic concealed in every forgery"—serves as the film's central thematic statement.[14] The film suggests that even the most elaborate deceptions contain traces of genuine emotion, as evidenced by Claire's tearful declaration that her love for Virgil is real.[15]
Critics have noted the film's debt to classic thrillers, particularly Alfred Hitchcock's Vertigo, in its depiction of a man's obsessive reconstruction of an idealized woman.[1] The automaton, assembled from scattered parts, functions as a metaphor for Virgil's own emotional reconstruction and ultimate deception.[16]
Paintings featured
Virgil's secret vault contains reproductions of numerous famous portraits spanning from the 15th to the 20th century, including works by Raphael (La Fornarina, La Muta), Titian (Violante), Bronzino, Peter Paul Rubens, Dante Gabriel Rossetti (La Donna della Finestra), Pierre-Auguste Renoir (Portrait of Jeanne Samary), Amedeo Modigliani, and many others.[17] The film also features a copy of Petrus Christus's Portrait of a Young Girl, which Virgil discovers and has restored.
Release
The Best Offer premiered in Italian cinemas on 1 January 2013, distributed by Warner Bros. Pictures Italia.[2] It was screened at the 63rd Berlin International Film Festival in February 2013 as a special gala presentation. The film was released in the United Kingdom under the title Deception on 21 March 2014 by Momentum Pictures. In the United States, IFC Films gave the film a limited theatrical release beginning 1 January 2014.[18]
The film was released on DVD and Blu-ray in Italy on 15 May 2013 by Warner Bros.[19]
Reception
Box office
In Italy, The Best Offer grossed approximately €9.1 million (about $12 million), drawing roughly 1.5 million admissions.[2][20] Internationally, the film earned approximately $8.8 million across various markets, with strong performances in Spain ($2.4 million).[3] The worldwide theatrical gross reached $20.9 million.[3]
Critical response
On Rotten Tomatoes, the film has an approval rating of 56% based on 32 reviews, with an average rating of 5.9/10. The site's critical consensus reads: "Visually splendid and ably acted, The Best Offer overcomes its narrative flaws to offer absorbingly complex—if not always compelling—drama."[21] On Metacritic, the film holds a score of 49 out of 100 based on 17 critics, indicating "mixed or average reviews".[22]
Geoffrey Rush's performance received widespread praise. Deborah Young of The Hollywood Reporter called the film "astutely written" and commended Rush's "compelling" portrayal.[7] Betsy Sharkey of the Los Angeles Times described it as a "finely layered mystery" with "classic atmospheric tension."[18] Italian critics were generally more favorable, with many lauding Tornatore's direction as a return to form.[23]
Conversely, Sheila O'Malley of RogerEbert.com awarded the film 1.5 out of 4 stars, criticizing its "heavy-handed symbolism" and "fairy-tale-like contrivances."[16] Andrew Pulver of The Guardian rated it 2/5 stars and called it "stiff" and "convoluted."[24] Stephen Holden of The New York Times found the central romance "dull" and the intrigue "superfluous."[15]
Accolades
| Awards | ||||
|---|---|---|---|---|
| Award | Category | Recipients and nominees | Result | |
| 58th David di Donatello Awards[25] | Best Film | Giuseppe Tornatore | Won | |
| Best Director | Giuseppe Tornatore | Won | ||
| Best Script | Giuseppe Tornatore | Nominated | ||
| Best Producer | Isabella Cocuzza and Arturo Paglia | Nominated | ||
| Best Cinematography | Fabio Zamarion | Nominated | ||
| Best Production Design | Maurizio Sabatini and Raffaella Giovannetti | Won | ||
| Best Costumes | Maurizio Millenotti | Won | ||
| Best Make-up | Luigi Rocchetti | Nominated | ||
| Best Hairstyling | Stefano Ceccarelli | Nominated | ||
| Best Editing | Massimo Quaglia | Nominated | ||
| Best Sound | Gilberto Martinelli | Nominated | ||
| Best Score | Ennio Morricone | Won | ||
| Youngs' David | Giuseppe Tornatore | Won | ||
| 68th Nastro d'Argento Awards[26] | Best Director | Giuseppe Tornatore | Won | |
| Best Producer | Isabella Cocuzza and Arturo Paglia | Won | ||
| Best Screenplay | Giuseppe Tornatore | Nominated | ||
| Best Cinematography | Fabio Zamarion | Nominated | ||
| Best Scenography | Maurizio Sabatini and Raffaella Giovannetti | Won | ||
| Best Costumes | Maurizio Millenotti | Won | ||
| Best Editor | Massimo Quaglia | Won | ||
| Best Sound | Gilberto Martinelli | Nominated | ||
| Best Score | Ennio Morricone | Won | ||
| 53rd Italian Golden Globe[27] | Best Cinematography | Fabio Zamarion | Nominated | |
| Best Music | Ennio Morricone | Nominated | ||
| Ciak d'oro Awards[28] | Best Film | Giuseppe Tornatore | Won | |
| Best Director | Giuseppe Tornatore | Won | ||
| Best Editing | Massimo Quaglia | Won | ||
| Best Costumes | Maurizio Millenotti | Won | ||
| 26th European Film Awards[12] | Best Film | Giuseppe Tornatore | Nominated | |
| Best Director | Giuseppe Tornatore | Nominated | ||
| Best Screenwriter | Giuseppe Tornatore | Nominated | ||
| Best Composer | Ennio Morricone | Won | ||
| People's Choice Award | Giuseppe Tornatore | Nominated | ||
