The Bladebone Inn
Pub in Berkshire, England
From Wikipedia, the free encyclopedia
The Bladebone Inn is a public house at Chapel Row in the civil parish of Bucklebury in the English county of Berkshire.
| The Bladebone Inn | |
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 Interactive map of the The Bladebone Inn area | |
| General information | |
| Location | Chapel Row, Berkshire, United Kingdom |
| Coordinates | 51°25′24″N 1°10′50″W |
| Opened | c. 17th century |
| Owner | Freehouse |
History
Records show that there has been an inn on the site since the mid-17th century.[1] The current red-brick building, however, is undated.[1]
The pub was the location for Courts leet and baron on behalf of Bucklebury manor,[1] and was often part of the Chapel Row Fair. In 1790, the sons of George III attended a prize fight there between "Hooper", one of Lord Barrymore's men, and "Big Ben Brain". The bout lasted almost three-and-a-half hours and 180 rounds, and was eventually called a draw.[1]
Name
The name comes from the blade bone of a mammoth that was killed by prehistoric hunters.[1] The skeletal remains of the animal were found preserved in the silt of the Kennet Valley; the name "Bladebone" was used to refer to the pub by 1666.[1] The bone is encased in copper and hangs from the front of the pub as the pub sign.[2] The copper casing is regularly repaired, and the bone within has been found to be preserved in an excellent state.[3]
Ownership
In 1922, the pub was bought by Strange's Brewery of Aldermaston for £3,500[1](equivalent to approximately £150,000 in 2008). The brewery already rented the pub – along with a portion of the Bucklebury estate – for £86 (£3,500 in 2008) per annum.[1] The pub was later owned by Whitbread.[1] It is currently a free house, and regularly stocks ales from the West Berkshire Brewery.[4]
In the arts
In the 1950s, Robert Still composed The Ballad of the Bladebone Inn, inspired by the pub.[1] Describing a tale explaining the name and sign of the pub, the composition's debut performance was at the Royal Festival Hall on 23 October 1957.[5] Stanley Bayliss of The Musical Times described the performance as "duly bucolic" with "pleasant tunes", but saw that it failed to send a "shiver down the spine."[6]