The Bose Files: Sach Ya Sazish
Upcoming Indian Hindi-language film
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The Bose Files: Sach Ya Sazish (transl. The Bose Files: Truth or Conspiracy) is a 2026 Indian Hindi-language historical investigative drama film written and directed by Rajesh Gupta.[1] The film stars Yatin Karyekar as Netaji Subhas Chandra Bose, alongside Rajesh Gupta, Apoorva Arora, Virendra Saxena, Akhilendra Mishra, Amit Behl, and Akashdeep Arora.[2]
Rajesh Gupta
Apoorva Arora
Virendra Saxena
Akhilendra Mishra
| The Bose Files: Sach Ya Sazish | |
|---|---|
Theatrical release poster | |
| Directed by | Rajesh Gupta |
| Written by | Rajesh Gupta |
| Produced by | Rajesh Gupta |
| Starring | Yatin Karyekar Rajesh Gupta Apoorva Arora Virendra Saxena Akhilendra Mishra |
| Edited by | Haarshavardhan Rajendra Jadhav |
Production company | Real Reels |
| Distributed by | UFO Cine Media Network |
Release date |
|
Running time | 127 minutes |
| Country | India |
| Language | Hindi |
The film is based on theories and investigations surrounding the disappearance of Indian independence leader Subhas Chandra Bose following the reported 1945 plane crash in Taiwan. It was released theatrically in India on 30 July 2026.[3]
Premise
The film follows Anuj Gupta, a journalist and researcher who has spent more than two decades studying documents related to Subhas Chandra Bose. Along with Veerali, a college student, he investigates official accounts of the 1945 Formosa plane crash while examining alternative theories regarding Bose's fate after 1945.[4]
Cast
- Yatin Karyekar as Netaji Subhas Chandra Bose
- Rajesh Gupta as Anuj Gupta, a journalist and researcher
- Apoorva Arora as Veerali, a college student
- Virendra Saxena
- Akhilendra Mishra
- Amit Behl
- Akashdeep Arora
Production
The film was announced in 2026. According to the filmmakers, it is based on investigative research and published literature concerning the disappearance of Subhas Chandra Bose.[5]
Release
Reception
Archika Khurana of The Times of India gave the film 2.5 out of 5 stars, describing Yatin Karyekar's performance as one of the film's strengths while commenting that its treatment of the subject limited its cinematic impact.[4] [7]