The Casserole Club
2011 American film
From Wikipedia, the free encyclopedia
The Casserole Club (also known as Sex, Lies, and Sugar)[1] is a 2011 American drama film, directed by Steve Balderson. The film won five awards at the 2011 New York Visionfest. In this film set against the backdrop of the 1969 moonwalk, a group of suburban housewives hold dinner parties to test out their new casseroles. As boozy flirtation begins to dominate the gatherings - and more than recipes start getting swapped - the story shifts from stylized humor to a drama about irresponsibility, selfishness and damaged people.
Michelle Beisner
Garrett Swann
| The Casserole Club | |
|---|---|
Official film poster | |
| Directed by | Steve Balderson |
| Written by | Frankie Krainz |
| Produced by | Steve Balderson Michelle Beisner Garrett Swann |
| Starring | Daniel Sea Jane Wiedlin Kevin Richardson |
| Cinematography | Steve Balderson |
| Edited by | Stephen Eckelberry |
| Music by | Rob Kleiner |
| Distributed by | Breaking Glass Pictures |
Release date |
|
Running time | 95 minutes |
| Country | United States |
| Language | English |
Cast
- Susan Traylor as Sugar Bainbridge
- Kevin Richardson as Conrad Bainbridge
- Daniel Sea as Jerome Holleran
- Mark Booker as Leslie Holleran
- Starina Johnson as Kitty Bloom
- Garrett Swann as Sterline Bloom
- Pleasant Gehman as Florene Johnson
- Hunter Bodine as Burt Johnson
- Jennifer Grace as Marybelle Beedum
- Michael Maize as Max Beedum
- Jane Wiedlin as Marjorie Lavon
- Nic Roewert as Ned Lavon
- Kelly Pedone as Patti Parker
- Stuart G. Bennett as Gayle Parker
- Iris Berry as The Broad
- Anthony Pedone as Manson Newscaster
Awards
Won
2011 New York Visionfest:[2]
- Best Male Actor - Kevin Richardson
- Best Female Actor - Susan Traylor
- Best Directing - Steve Balderson
- Best Production - Steve Balderson
- Best Production Design - Steve Balderson
Nominated
2011 New York Visionfest:
- Best Cinematography - Steve Balderson
- Original Score - Rob Kleiner
- Best Writing - Frankie Krainz
Reviews
Danielle Riendeau from After Ellen gave a positive review of the film, saying the film "offers a bizarre, compelling, and ultimately fascinating ride through the outwardly pretty yet-horrific lives of 'normal people' and "the soundtrack is as kitschy and catchy as the visuals are bright".[3]
Jonathan Hickman from Daily Film Fix made note that he was not a "fan of the visual scope and digital look of the film", but mentioned it was Steve Balderson's best film to date.[4]
Film Threat's Mark Bell gave the film a four out of five, writing a positive review and calling the acting "wonderful".[5]