The Complete Budokan 1978

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ReleasedNovember 17, 2023 (2023-11-17)
RecordedFebruary 28–March 1, 1978
Length269:12
The Complete Budokan 1978
Live album box set by
ReleasedNovember 17, 2023 (2023-11-17)
RecordedFebruary 28–March 1, 1978
VenueNippon Budokan
Length269:12
Label
Bob Dylan chronology
Shadow Kingdom
(2023)
The Complete Budokan 1978
(2023)
The 1974 Live Recordings
(2024)

The Complete Budokan 1978 is a box set of 1978 live recordings by Bob Dylan, released on November 17, 2023, through Columbia Records and Legacy Recordings.

Recorded on February 28 and March 1, 1978, the concerts took place at the Nippon Budokan, Tokyo as a multi-show kickoff of his 1978 world tour. The recording features audio from the shows for the live album Bob Dylan at Budokan (1978). The collection features a set of four discs with all the songs, all restored, remixed, and remastered, played on the two nights at the Budokan.[1] A vinyl release entitled Another Budokan was issued at the same time with only the previously unissued tracks.

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic79/100[2]
Review scores
SourceRating
Classic RockStarStarStarHalf star[3]
Exclaim!8/10[4]
MojoStarStarStarStar[5]
Pitchfork6.1/10[6]
UncutStarStarStarStar[7]

At Metacritic, which assigns a normalized rating out of 100 to reviews from professional critics, the album received an average score of 79 based on eight reviews, indicating "universal acclaim".[2] Vish Khanna of Exclaim! opined that the album is proof that "less is more" does not necessarily apply here as "the whole story can in fact be worth more than selected excerpts". Khanna concluded that the concert captures the "first experiential glimmer" of Dylan "as a lost seeker" that is testing "new ideas" as well as "his audience".[4]

Pat Carty at Classic Rock drew comparisons with Elvis in Vegas for containing "dense, big-band arrangements". Carty thought that the release was "much improved from the original", citing highlights such as "I Threw It All Away" and "Just Like a Woman". While it may not "convert Dylan doubters", it should be an "interesting curio all the same".[3] Stephen Thomas Erlewine at Pitchfork thought the album represents Dylan's "latter-day incarnation as a restless and mercurial road warrior" but cannot hide the fact that the album is "just a drag" and feels "often dorky, too". The artist trying to entertain "just winds up as enervation".[6]

Track listing

Charts

References

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