The Country Captain
From Wikipedia, the free encyclopedia
The Country Captain, alternatively known as Captain Underwit, is a Caroline era stage play written by William Cavendish, 1st Duke of Newcastle, and first published in 1649. It has attracted critical attention primarily for the question of James Shirley's participation in its authorship.
The play's date of authorship and its performance history are not known in detail; it was performed at the Blackfriars Theatre by the King's Men, and is plausibly dated to c. 1639–40.[1]
The Country Captain was revived early in the Restoration period. Samuel Pepys saw it performed on 21 October 1661. In his Diary he called it "so silly a play as in all my life I never saw" – though this negative verdict did not prevent Pepys from seeing the play again on 25 November that year, on 14 August 1667 and on 14 May 1668.[2]
Texts
The play was first printed in a duodecimo volume that included Newcastle's play The Variety, issued by the booksellers Humphrey Moseley and Humphrey Robinson in 1649. That first edition attributes the plays only to "a person of honor," though Newcastle's authorship is stated in 17th-century sources.[3] The Country Captain also exists in a manuscript, Harleian MS. 7650 in the collection of the British Museum; the MS. is judged to be in the hand of Edward Knight, the prompter of the King's Men. The two texts are very similar though not identical; the manuscript appears to be the original authorial version, while the printed text shows the cuts and changes that adjusted the play for stage performance.[4]
Authorship
A. H. Bullen edited the play, from the manuscript, for the second volume of his series Old English Plays (1883) – apparently unaware of the 1649 printed text. Bullen followed J. O. Halliwell-Philips in titling the play Captain Underwit, and attributed the work to James Shirley. Subsequent critics and scholars have almost universally concluded that Bullen went too far to assigning the entire play to Shirley, and have judged that Newcastle "is almost certainly the author of this comedy."[5] But most have accepted the view that Shirley had some hand in helping Newcastle to write the play.[6] Some have speculated a connection with a lost play by Shirley titled Look to the Lady, which was entered into the Stationers' Register on 11 March 1640 but never published – "Look to the Lady" being a reasonable alternative title for the drama (see the Synopsis below).
The relationship between Cavendish and Shirley is clear from 17th-century sources. In his Athenae Oxoniensis, Anthony à Wood wrote that "our author Shirley did also much assist his generous patron William duke of Newcastle in the composition of certain plays, which the duke afterwards published."[7] Shirley also dedicated his tragedy The Traitor to Newcastle upon its 1635 publication. The signs of Shirley's hand in The Country Captain are abundant and varied; they range from parallels of plot device and characterization to specific phrasings. For examples of the latter: The Country Captain employs the phrase "feather-footed Hours," which also occurs in two of Shirley's masques, The Triumph of Beauty and The Triumph of Peace.[8] The line "That snorts at Spain by an instinct of Nature" can be found both in The Country Captain and in Shirley's The Bird in a Cage.[9] A verse beginning "Come let us throw the dice," which is used as a drinking song in the play, is printed in Shirley's Poems (1646).