The Curve (1998 film)

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Directed byDan Rosen
Written byDan Rosen
Produced byMichael Amato
Jeremy Lew
Ted Schipper
Alain Siritzky
Dead Man's Curve (US title)
DVD cover
Directed byDan Rosen
Written byDan Rosen
Produced byMichael Amato
Jeremy Lew
Ted Schipper
Alain Siritzky
StarringMatthew Lillard
Michael Vartan
Randall Batinkoff
Keri Russell
CinematographyJoey Forsyte
Edited byGlenn Garland
Music byShark
Distributed byTrimark Pictures
Release date
  • January 23, 1998 (1998-01-23)
Running time
91 minutes
CountryUnited States
LanguageEnglish

The Curve is a 1998 American thriller film starring Matthew Lillard, Keri Russell and Michael Vartan,[1] which premiered at the 1998 Sundance Film Festival under its original title, Dead Man's Curve.[2] It draws on the urban legend that a student will receive an A letter grade should their roommate commit suicide (pass by catastrophe).

After hearing of a school policy granting anyone whose roommate commits suicide an automatic 4.0 GPA, Harvard Business School aspirants Chris and Tim plot to kill their roommate Rand and make it look like a suicide. They're successful, but when the fallout breeds unforeseen consequences and two local detectives close in, guilt and mistrust fester, jeopardizing Chris's relationship with his girlfriend Emma and the roommates' futures.

Cast

Production

Filming took place in Baltimore, Maryland at Elk Neck State Park, Johns Hopkins University, and Towson University in August 1997.[3]

Release

The film premiered at the 1998 Sundance Film Festival as an Official Selection.[4] The film was renamed The Curve after its Sundance premiere to avoid confusion with the film Dead Man on Campus, a comedy with a similar pass by catastrophe premise about two college roommates who try to get another roommate to commit suicide which was released the same year. In the UK and Australia, however, the film was released as Dead Man's Curve.

Reception

The Curve was met with a mostly negative reception. It holds a score of 0% on the review aggregator website Rotten Tomatoes, based on 8 reviews.[5] In a review for Variety, Dennis Harvey commented that "Curve bends too low for upscale auds, it’s also problematic for mainstream ones as a near-horror thriller sans onscreen violence (or genuinely surprising plot twists). It will take aggressive marketing to reap quick payoff on a film likely to get just lukewarm critical and word-of-mouth response."[2]

In a more favorable review, William Thomas of Empire rated the film 4/5 stars and stated that it has "boasting originality, an easy-going hipness and a disregard for convention, this represents all that's good about the American indie scene."[6]

Soundtrack

References

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