The Dark Man (film)

The Monthly Film Bulletin wrote: "This attempt at a low-budget thriller, shot mainly on location, is undermined by the staggering improbabilities of the script. Molly's reactions to the threats of the Dark Man and her hesitancy in seeking help from the police, are unbelievably stupid: with equal stupidity she allows herself to be kidnapped by an old and obvious trick. The contrivances of the script are not helped, either, by stilted dialogue. The Dark Man has some excellent exterior camerawork, and both Natasha Parry and Edward Underdown show, in unrewarding parts, talent and personality."^[3]

The New York Times wrote: "this Julian Wintle production often stirs up a fair amount of suspense and absorption, chiefly because of the efficient direction of Jeffrey Dell, an excellent performance by Edward Underdown, as a detective, and a painless round-up of typical British "types" in minor roles. But the scenario is a meandering affair overbalanced with too many sneering close-ups of its culprits, and ... anything but suggestive of the banner of the distributors, Fine Arts Films, Inc."^[4]

Picturegoer wrote: "Competently made and acted murder story. There is no mystery about who is responsible for the killing, but there is plenty of suspense. Excellent camera work adds to the good overall tightness. ... Edward Underdown is excellent as the detective, and Natasha Parry copes well with the role of the heroine. Maxwell Reed has little to do but look sinister. But he shows up well as the villain. William Hartnell turns in a very neat characterization of a police superintendent."^[5]

Picture Show wrote: "Well acted but somewhat slow moving crime drama, with Maxwell Reed as the silent murderer who is hunted from the beginning to the end, but never seems to think of changing his dark suit and hat. Its seaside setting is really refreshing, and beautifully photographed, while the climax on a windy coastal artillery range where the Dark Man seeks refuge, is really thrilling. Maxwell Reed, Edward Underdown, William Hartnell and Natasha Parry head the excellent cast."^[6]

AllMovie noted: "the plot is nothing new, though the settings – a provincial repertory theatre, a military rifle range – are rather novel."^[7]

Britmovie said, "Edward Underdown is clearly too old to be the young policeman and love interest, but brooding Maxwell Reed is very effective as the shadowy ‘Dark Man’."^[8]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "good", writing: "Good camerawork and direction of chase scenes paper over some of the weaknesses in the script."^[9]

• The Dark Man at IMDb