The Double Dealer (magazine)
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Poetry
Non-fiction
Fiction
Cover of the August–September 1921 edition of The Double-Dealer by Olive Leonhardt | |
| Categories | Creative writing Poetry Non-fiction Fiction |
|---|---|
| Frequency | monthly |
| Founder | Julius Weis Friend (editor); Basil Thompson, Albert Goldstein, John McClure (associate editors) |
| Founded | January 1921 |
| Final issue | May 1926 |
| Country | United States |
| Based in | New Orleans, La. |
| Language | English |
The Double Dealer was a short-lived but influential New-Orleans–based literary journal of the 1920s.
The Double Dealer was established in 1921 as a platform for contemporary Southern writers of a modernist bent. Its founders were cultural critic Julius Weis Friend (editor) and Basil Thompson, Albert Goldstein, and John McClure (associate editors). The magazine's title came from a William Congreve play of the same name, which Thompson and Friend admired for its acute dissection of human nature.[1] They saw their ideal reader as someone with a tolerant understanding of "the devious ways of the world".[2]
Loyola University New Orleans preserves the personal papers of Basil Thompson, which contain correspondence, manuscripts, and other materials related to The Double Dealer.[3]
Modernism
With its subtitle A National Magazine for the South, The Double Dealer positioned itself to combat a popular stereotype of Southern literature as a provincial and second-rate "Sahara of the Bozart," as H. L. Mencken termed it in a notorious 1917 essay. In a piece entitled "New Orleans, The Double Dealer and the Modern Movement in America",[4][5] Sherwood Anderson laid out the editors' vision of a modernism that operates not only at a national level but also embraces the cultural individuality of regions like the South.[6] In pursuit of its inclusive vision, The Double Dealer published African-American authors, and an unusually high proportion of its writers were women.[2]