The End of the Road (1936 film)

The Monthly Film Bulletin wrote: "The plot serves naturally to introduce a number of Harry Lauder's characteristic songs, but it is far from being merely a 'vehicle' for them. Apart from one or two weaknesses in casting, the supporting cast act well. The photography is good, though the quality of the outdoor shots is a little harsh in comparison with those taken in the studio. The settings are pleasingly simple and help to give that air of genuineness which pervades the picture."^[5]

The Daily Film Renter wrote: "This Wembley production weaves an unsophisticated story arcund the personality of Harry Lauder, and exploits a successful formula in which naive comedy, moments of pathos, and human appeal all have their place, the whole being admirably keyed together by a series of Sir Harry Lauder's inimitable compositions, put over with a verve and gusto, surprising in a man of his age."^[6]

Picturegoer wrote: "The appeal of this picture lies in the appearance of the famous Scottish musical comedian; it is; in fact, a one-man show. He sings several old favourites and gets a good deal out of his presentation of the character of John MacGregor, the last of a long line of strolling players. ... Exteriors are good, but the rest of the production is very modestly staged. Ruth Haven, Ethel Glendinning, and Bruce Seton give the star the necessary support."^[7]

Picture Show wrote: "The star sings with gusto and gives a breezy performance. He is competently supported, and the film is competently set and photographed."^[8]

• The End of the Road at IMDb