The First 400 Years

1964 Australian TV series or program From Wikipedia, the free encyclopedia

The First 400 Years is a 1964 Australian television play. It was filmed in Adelaide. The stars were performing in the play around Australia for J. C. Williamson's.[3][4]

Written byWilliam Sterling
Directed byWilliam Sterling
Country of originAustralia
Quick facts Written by, Directed by ...
The First 400 Years
Ad in The Age 3 Oct 1964
Written byWilliam Sterling
Directed byWilliam Sterling
StarringKeith Michell
Googie Withers
Country of originAustralia
Original languageEnglish
Production
Running timePart 1 - 35 mins
Part 2 - 35 mins
Production companyABC
Original release
Release8 July 1964 (1964-07-08) (Part 1 - Melbourne)[1]
Release7 July 1964 (1964-07-07) (Part 2 - Sydney),[2]
Release7 October 1964 (1964-10-07) (Part 2 - Melbourne)
Close

It screened in two parts.[5]

Premise

A collection of scenes from the plays of William Shakespeare.

Part One was more comic consisting of:[6]

  • the wooing scene from Taming of the Shrew
  • Katherin's plea to the Royal Court in Henry VIII
  • the scene with Lance and his dog from Two Gentlemen of Verona
  • the church scene between Beatrice and Benedict in Much Ado About Nothing.

Part two was more serious consisting of:

  • two scenes from The Merchant of Venice
  • the balcony scene from Romeo and Juliet
  • the closing scene from Hamlet.

Cast

Original play

The show was based on a play directed by Raymond Westwell for J.C. Williamsons. It premiered in Melbourne on 23 April 1964, the 400th anniversal of Shakespeare's birth.[7]

"What a profligate waste of costumes," wrote Column 8 in Sydney Morning Herald.[8]

Production

It was rehearsed and filmed in one day and the ABC's studios in Adelaide. Sterling said "Fortunately the stage production was almost ideal for TV. I tried to place the cameras in such a way that there was very little adjustment of movement and although the studio was smaller than the stage acting area, the production transposed well."[9]

Reception

The Sunday Sydney Morning Herald reviewer said it "lit up the screen... these couple of superb artists in action. My only complaint is that 30 minutes was not long enough."[10]

One viewer called it "dull, flat and unprofitable."[11]

References

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