The Four Poster (1952 film)

1952 film by Irving Reis From Wikipedia, the free encyclopedia

The Four Poster is a 1952 American comedy-drama film directed by Irving Reis and starring Rex Harrison and Lilli Palmer.[2] It is an adaptation of Jan de Hartog's 1951 play The Fourposter.

Directed byIrving Reis
Screenplay by
Based onThe Fourposter
by Jan de Hartog
Produced byStanley Kramer
Quick facts Directed by, Screenplay by ...
The Four Poster
Theatrical release poster
Directed byIrving Reis
Screenplay by
Based onThe Fourposter
by Jan de Hartog
Produced byStanley Kramer
Starring
CinematographyHal Mohr
Edited byHenry Batista
Music byDimitri Tiomkin
Production
company
The Stanley Kramer Company
Distributed byColumbia Pictures
Release date
  • October 8, 1952 (1952-10-08)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Budget$150,000[1]
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Plot

The film follows the Edwardses, from their honeymoon with a four-poster bed prior to the First World War, to the birth of their unseen children and the couple's final years.

Animation

While it is a live-action film, The Four Poster features animation by the studio United Productions of America (UPA). The animation was directed by John Hubley, and was his last project before leaving UPA and founding his independent studio Storyboard, Inc.[3]

In Yugoslavia, The Four Poster's animation became one of the key influences on the foundation of the Zagreb School of Animated Films. Director Dušan Vukotić had come across an article about UPA's films in Graphis at an English bookstore in Zagreb. Around the same time, The Four Poster arrived in the country in "a batch of American feature films sent for possible sale to Yugoslavia", according to researcher Ronald Holloway. Vukotić and others studied the film's animation, which also gave them a greater understanding of the still images in Graphis. As a result, the team began to explore design-focused limited animation at Zagreb Film.[4]

Cast

Production

Allan Scott saw the play in Londion and recommended Stanley Kramer made it under the producer's deal with Columbia. Kramer agreed and Scott bought the rights for $15,000 and persuaded Harrison and Palmer to star. He had John Hubley animate scenes to avoid double exposition.[5]

Reception

Scott called the film "a big success".[6]

References

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