The Great Ecstasy of Robert Carmichael

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Directed byThomas Clay
Written by
  • Thomas Clay
  • Joseph Lang
Produced byJoseph Lang
Starring
The Great Ecstasy of Robert Carmichael
DVD cover
Directed byThomas Clay
Written by
  • Thomas Clay
  • Joseph Lang
Produced byJoseph Lang
Starring
CinematographyYorgos Arvanitis
Edited byDavid Wigram
Music by
Production
companies
Distributed byTartan Films
Release dates
  • 15 May 2005 (2005-05-15) (Cannes)
  • 20 October 2006 (2006-10-20) (UK)
Running time
96 minutes
CountryUnited Kingdom
LanguageEnglish

The Great Ecstasy of Robert Carmichael is a 2005 British crime film directed by Thomas Clay in his feature-length directorial debut and written by Clay and Joseph Lang. It stars Daniel Spencer as the titular character, a teenager whose life spirals out of control after experimenting with drugs with schoolmates.

The film premiered at the Cannes Film Festival as part of the Critic's Week sidebar, where it was nominated for the Camera d'Or award.[1][2] It also screened at the Edinburgh Film Festival. At both premieres, the film was greeted with negative responses for its graphic violence. At Cannes, the film's ending prompted audience walkouts.

In the days leading up to the Iraq War, Robert Carmichael is an introverted middle-class youth and talented cello player who is bored by his existence in the coastal town of Newhaven. He becomes associated with the unsavory teenagers Joe and Ben. Joe's cousin Larry returns to town after serving prison time for drug possession and aggravated assault. Larry immediately gets back into the drugs business and pushes the younger boys into becoming dealers; Robert soon spirals into the use of hard drugs like cocaine and ecstasy. At one point, the gang rapes a teenage girl in a squalid flat. Though Robert does not participate in the act, he takes part when the gang later attacks a middle-aged couple.

Main cast

Release

The film premiered at the 2005 Cannes Film Festival, where the film's final scene involving a brutal rape depiction caused mass walkouts.[3] The audience response at the Edinburgh Film Festival screening was similarly negative.[4] In a post-screening Q&A session, director Thomas Clay and co-screenwriter Joseph Lang defended the graphic violence by insisting that they wanted to evoke how rape is used as a weapon in the wars of Bosnia and Iraq.[5][4]

Reception

References

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