The Hangman Waits

1947 British film From Wikipedia, the free encyclopedia

The Hangman Waits is a 1947 British second feature ('B')[1] thriller film written, directed and produced by A. Barr Smith, starring Beatrice Campbell and John Turnbull.[2] Shot documentary-style, the film tells the story of a murderer who comes to a grisly end.

Directed byA. Barr-Smith
Written byA. Barr-Smith
Produced byA. Barr-Smith
Quick facts Directed by, Written by ...
The Hangman Waits
DVD cover
Directed byA. Barr-Smith
Written byA. Barr-Smith
Produced byA. Barr-Smith
StarringBeatrice Campbell
John Turnbull
CinematographyDenys Coop
Edited byBunch Dixon-Spain
Music byAlbert Ferber
Production
company
Five Star Films
Distributed byButcher's Film Service
Release date
  • 25 August 1947 (1947-08-25)
Running time
63 minutes
CountryUnited Kingdom
LanguageEnglish
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Plot

A cinema organist murders an usherette, leaving the dismembered remains of her body in a trunk at London's Victoria Station. The News of the World newspaper promotes a search to bring the murderer to justice. While on the run, he kills a second time. Finally he throws himself to his death from the top storey of the newspaper's building.

Cast

Critical reception

The Monthly Film Bulletin wrote: "The film affords an interesting if sordid glimpse into the workings of crime reportage. Attempts are made at building up an atmosphere of tension by a series of dramatic effects, some imaginative, some incongruous, which punctuate the tale from start to finish. More successful are scenes like those in the newspaper office, at the station or in the streets of London, which are free at least from pretentious lights and shadows. The director is adequately served by a large cast."[3]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "average", writing: "Documentary-style study of the pursuit of a killer. Burly character actor John Turnbull's only role in films."[4]

Chibnall and McFarlane in The British 'B' Film called the film: "A gruesome slice of Grand Guignol", adding: "Somewhat unconvincingly its distributors, Butcher's, tried to emphasise the film's factual and educational credentials: 'An absorbing and thrilling exposition of Newspaper life showing how crime news is collected and presented in its various stages,' claimed the poster. Reviewers were less convinced and could recommend this only to the unsophisticated."[1]

References

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