The Idol Dancer

1920 film by D. W. Griffith From Wikipedia, the free encyclopedia

The Idol Dancer is a 1920 American silent South Seas drama film produced and directed by D. W. Griffith. It stars Richard Barthelmess and Clarine Seymour in her final film role. Seymour was a young actress Griffith was grooming for stardom. She died of pneumonia shortly after emergency surgery for an intestinal blockage on April 24, 1920, less than a month after the film premiered.[2][3]

Directed byD. W. Griffith
Based on"Blood of the Covenants"
by Gordon Ray Young
Produced byD. W. Griffith
Quick facts Directed by, Written by ...
The Idol Dancer
The 1920 promotional posted for The Idol Dancer
Directed byD. W. Griffith
Written byStanner E. V. Taylor
Based on"Blood of the Covenants"
by Gordon Ray Young
Produced byD. W. Griffith
Starring
Cinematography
Edited byJames Smith
Distributed byFirst National Pictures
Release date
  • March 21, 1920 (1920-03-21) (U.S.)
Running time
104 minutes
92 minutes
CountryU.S.
LanguageSilent (English intertitles)
Budget$93,000[1]
Box office$963,000[1]
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The Idol Dancer
Clarine Seymour in the film

The film is based on the story "Blood of the Covenants" by Gordon Ray Young. The scenario was written by Stanner E. V. Taylor.[4]

Plot

Mary (Seymour) is the daughter of a French man and a Javanese mother and enjoys dancing. She has two lovers. One is a beachcomber named Barthelmess, who was tossed off a passing ship for failing to work and only seeks to drink gin. The other, named Hale, is a sickly young American who came to the island in hopes of regaining his health and is staying with his missionary uncle, named MacQuarrie, and his wife, named Bruce.

While on the island, natives from a neighboring island attack. The beachcomber reforms, and Mary comes to love him.[5]

Cast

Production

Griffith filmed exteriors for The Idol Dancer simultaneously with The Love Flower, including filming in Nassau, Bahamas in December 1919 and in Fort Lauderdale, Florida in 1920.[6][7]

Status

A 35mm print of the film is preserved by the Cohen Media Group. 16mm prints of the film are held in private collections.[2]

See also

References

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