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The Illusion (film)

2025 comedy-drama film From Wikipedia, the free encyclopedia

The Illusion (Italian: L'abbaglio, lit. 'The Blunder') is a 2025 Italian historical comedy-drama film co-written and directed by Roberto Andò. Taking place in Sicily during the Expedition of the Thousand, a key event in the unification of Italy, the film stars Toni Servillo and the comedy duo Ficarra e Picone.

Directed byRoberto Andò
Screenplay byRoberto Andò
Ugo Chiti
Massimo Gaudioso
Starring
CinematographyMaurizio Calvesi
Quick facts Directed by, Screenplay by ...
The Illusion
Directed byRoberto Andò
Screenplay byRoberto Andò
Ugo Chiti
Massimo Gaudioso
Starring
CinematographyMaurizio Calvesi
Edited byEsmeralda Calabria
Music byEmanuele Bossi
Michele Braga
Distributed by01 Distribution
Release date
  • 16 January 2025 (2025-01-16)
CountryItaly
LanguageItalian
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Plot

A Sicilian colonel leading a motley crew outwitting adversaries in Giuseppe Garibaldi's 1860 campaign that unified Italy.

Cast

Production

The film was shot between Palermo, Trapani, Erice, Caltabellotta, Ficuzza, and Contessa Entellina.[1][2] It was produced by Tramp Ltd and Bibi Film in association with Rai Cinema and Medusa Film and in collaboration with Netflix.[3] Roberto Andò described it as "a film about the paradoxes of history" and "about the Italian character: cunning, passionate, generous, opportunistic, courageous, individualistic, cynical, and idealistic".[4]

Release

The film was released in Italian cinemas by 01 Distribution on 16 January 2025.[4]

Reception

Deborah Young from The Film Verdict described the film as a combination between "a wary humanism with expert storytelling" and wrote: "For the lovers of classic Italian movies full of sweeping historical drama, stunning natural sets and perfectly cued acting, with a solid vein of light comedy thrown in for good measure, one need look no farther than The Illusion".[5]

Camillo De Marco from Cineuropa also praised the film, writing "once again, we find cinema availing itself of the past to explore the present, and Andò does so expertly, cunningly and with lightness of hand, trusting in Toni Servillo's soberly measured performance and the photographic prowess of his faithful collaborator Maurizio Calvesi".[3] Paolo Mereghetti noted how the film is "a disenchanted reflection on the history of Italy" that "takes on dismantling the traditional rhetoric of leaders’ heroism".[6]

References

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