The Journalist and the Murderer
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| Author | Janet Malcolm |
|---|---|
| Language | English |
| Publisher | Alfred A. Knopf, Random House |
Publication date | 1990 |
The Journalist and the Murderer is a study by Janet Malcolm about the ethics of journalism, published by Alfred A. Knopf/Random House in 1990. It is an examination of the professional choices that shape a work of non-fiction, as well as a rumination on the morality that underpins the journalistic enterprise. The journalist in question is Joe McGinniss; the murderer is the former Special Forces captain Dr. Jeffrey R. MacDonald, who became the subject of McGinniss's 1983 book Fatal Vision.
When Malcolm's work first appeared in March 1989, as a two-part serialization in The New Yorker, it caused a sensation, becoming the occasion for wide-ranging debate within the news industry.[1] This heavy criticism continued when published in book form a year later. However, The Journalist and the Murderer is now regarded as a "seminal" work, and its "once controversial theory became received wisdom."[2] It ranks 97th on the Modern Library's list of the 100 best non-fiction works of the 20th century."[3]
Malcolm's thesis, and the most widely quoted passage from The Journalist and the Murderer, is its opening paragraph: "Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible." She continues:[4]
- He is a kind of confidence man, preying on people's vanity, ignorance or loneliness, gaining their trust and betraying them without remorse. Like the credulous widow who wakes up one day to find the charming young man and all her savings gone, so the consenting subject of a piece of nonfiction learns—when the article or book appears—his hard lesson. Journalists justify their treachery in various ways according to their temperaments. The more pompous talk about freedom of speech and "the public's right to know"; the least talented talk about Art, the seemliest murmur about earning a living.
Content
Malcolm took as her subject the popular non-fiction writer Joe McGinniss; McGinniss had become a best-selling author with his 1969 work The Selling of the President 1968. After McGinniss interviewed the accused murderer Jeffrey MacDonald, MacDonald proposed that McGinniss write a book of his story and asked for a share of the revenue from the book as a way to fund his legal battle.[5] McGinniss agreed. Having received a sizable advance payment for the true crime project that would become Fatal Vision,[6] McGinniss struck up a close friendship with MacDonald. Later, to assuage the uneasiness of other members at the defense table, lead counsel Bernard Segal had McGinniss sign a contract under terms that McGinniss would not divulge defense strategy to outsiders and would put a positive spin on MacDonald's story.
MacDonald, an Army physician, had been charged with the 1970 murders of his 26-year-old pregnant wife Collette and their two young daughters.[7] McGinniss secured MacDonald's cooperation in turning his story into a book: the journalist would report from both the court room and MacDonald's side. McGinniss shared housing with his book's subject, exercised with him, and sat beside him at the defense table during his trial.[8] As Malcolm writes in her book, "They clothed their complicated business together in the mantle of friendship—in this case, friendship of a particularly American cast, whose emblems of intimacy are watching sports on television, drinking beer, running, and classifying women according to their looks."[9] Within a month of MacDonald's conviction, McGinniss began a series of letters. Malcolm quotes McGinniss's expressions of sympathy—"any fool can recognize within five minutes that you did not receive a fair trial...it was utter madness"—as well as his tacit assurances that the book would help win his release: "it's a hell of a thing—spend the summer making a new friend and the bastards come and lock him up. But not for long, Jeffrey—not for long."[10]
Malcolm states that in fact McGinniss had become swiftly and easily convinced of MacDonald's guilt during the trial.[11] She also describes how, in the same months that he wrote warm letters to the now-jailed MacDonald, he was also writing to his editor Morgan Entrekin, discussing the technical problem of not spoiling his work's effect by making MacDonald, in the book, appear "too loathsome too soon." Throughout the years of interviews, as Malcolm writes, "MacDonald imagined he was 'helping' McGinniss write a book exonerating him of his crime."[12] What she terms MacDonald's "dehoaxing" took place in "a particularly dramatic and cruel manner"—a 1983 taping of the CBS news program 60 Minutes. As host Mike Wallace read aloud portions of the now-completed Fatal Vision, the cameras broadcast MacDonald's look of "shock and utter discomposure."[13]