The Life and Adventures of Nicholas Nickleby (2001 film)

2001 television film directed by Stephen Whittaker From Wikipedia, the free encyclopedia

The Life and Adventures of Nicholas Nickleby (a.k.a. Nicholas Nickleby) is a British TV film which aired in 2001, directed by Stephen Whittaker, based on the 1839 novel Nicholas Nickleby by Charles Dickens.[1]

Quick facts Based on, Screenplay by ...
The Life and Adventures of Nicholas Nickleby
DVD container
Based on
Screenplay byMartyn Hesford
Directed byStephen Whittaker
StarringJames D'Arcy
Sophia Myles
Diana Kent
Charles Dance
George Innes
Lee Ingleby
Gregor Fisher
Music byColin Towns
Country of originUnited Kingdom
Original languageEnglish
Production
ProducerNicolas Brown
CinematographySean Bobbitt
EditorBeverley Mills
Production companiesCompany Television
Nickleby TV Ltd.
Original release
Release8 April 2001 (2001-04-08)
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Cast

Reviews

In Variety, "some striking performances" were noted from James D’Arcy with "just the right dashing look for a young romantic hero, and he can emit his character’s empathy without a single wasted expression. The phrase “lighting up the screen” comes to mind, which is rare"; Charles Dance made a contrast with the other, especially evil, "broadly played (and well done in that vein)" characters, showing Ralph's cruelty as "composed and real, enabling the final twists to take on a tragic, human quality". Gregor Fisher and Lee Ingleby were also praised.[2]

In The Dickensian, the reviewer noted that the focus was concentrated on Ralph, "the centre of a maelstrom of intrigues, which swirl round all the characters", and that Charles Dance displayed "chilling, reptilian authority", with "a fine gang of rogues - a zestful, demonic Squeers (Gregor Fisher), a splendid Arthur Gride... (Frank Mills) and a bragging Mulberry Hawk (Dominic West)". He observed that Smike "was a very interesting creation [which] deftly steered the difficult course between pathos and mawkishness". He found that Stephen Whittaker "swept things along. Scene followed scene, and sequences flashed by as the drama was taken at a good rattling pace, appropriate to the high days of the stage coach", although he felt that "Climaxes might have been better prepared, relationships better established and some fine dialogue preserved".[3]

Awards

References

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