The Next Hundred Years
1994 studio album by Ted Hawkins
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The Next Hundred Years is a 1994 album by Ted Hawkins.[3] It was the last album released during Hawkins's lifetime.[4]
ReleasedMarch 29, 1994
Recorded1994
StudioZeitgeist, Los Angeles; additional recording at The Complex, Los Angeles
| The Next Hundred Years | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | March 29, 1994 | |||
| Recorded | 1994 | |||
| Studio | Zeitgeist, Los Angeles; additional recording at The Complex, Los Angeles | |||
| Genre | Soul blues | |||
| Length | 36:06 | |||
| Label | DGC[1] | |||
| Producer | Tony Berg[2] | |||
| Ted Hawkins chronology | ||||
| ||||
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Robert Christgau | |
| The Encyclopedia of Popular Music | |
AllMusic reviewer Bill Dahl called the album "a far weaker outing than what came before, largely due to a plodding band unwisely inserted behind Hawkins that tends to distract rather than enhance his impassioned vocals and rich acoustic guitar strumming."[5] The Los Angeles Times called The Next Hundred Years "an album of strange and wonderful beauty."[2] The Washington Post listed it as one of 1994's best albums.[8]
Track listing
All tracks composed by Ted Hawkins; except where indicated
- "Strange Conversation"
- "Big Things"
- "There Stands the Glass" (Russ Hall, Mary Jean Shurtz, Michael Pierce)
- "Biloxi" (Jesse Winchester)
- "Groovy Little Things"
- "The Good and the Bad"
- "Afraid"
- "Green-Eyed Girl"
- "Ladder of Success"
- "Long as I Can See the Light" (John Fogerty)
Personnel
- Ted Hawkins – guitar, vocals
Additional musicians
- Chris Bruce – guitar
- Tony Berg – keyboards, guitar
- Jim Keltner – drums, percussion
- Greg Leisz – steel guitar
- Pat Mastelotto – drums, percussion
- Kevin McCormick – bass guitar
- Bill Payne – keyboards
- John Pierce – bass guitar
- Guy Pratt – bass guitar
- Martin Tillman – cello
- Patrick Warren – keyboards
- Greg Wells – drums, percussion
Technical personnel
- Tony Berg – production
- Bob Ludwig – mastering at Gateway Mastering, Portland, Maine, United States
- Pat McCarthy – mixing
- John Paterno – recording
- Susan Rogers – recording
Artwork
- Jeff Sedlik – photography
- Robin Sloane – creative direction
- Janet Wolsborn – art direction