The Noose Tightens

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Episode no.Season 5
Episode 8
Directed byDavid Knoller
Written bySeth Greenland
Cinematography byAnette Haellmigk
"The Noose Tightens"
Big Love episode
Episode no.Season 5
Episode 8
Directed byDavid Knoller
Written bySeth Greenland
Cinematography byAnette Haellmigk
Editing byChris Figler
Original release dateMarch 6, 2011 (2011-3-6)
Running time57 minutes
Guest appearances
Episode chronology
 Previous
"Til Death Do Us Part"
Next 
"Exorcism"
List of episodes

"The Noose Tightens" is the eighth episode of the fifth season of the American drama television series Big Love. It is the 51st overall episode of the series and was written by producer Seth Greenland, and directed by executive producer David Knoller. It originally aired on HBO on March 6, 2011.

The series is set in Salt Lake City and follows Bill Henrickson, a fundamentalist Mormon. He practices polygamy, having Barbara, Nicki and Margie as his wives. The series charts the family's life in and out of the public sphere in their suburb, as well as their associations with a fundamentalist compound in the area. In the episode, Bill and his family face a criminal investigation, while Alby assigns Verlan to kill Bill.

According to Nielsen Media Research, the episode was seen by an estimated 1.36 million household viewers and gained a 0.6/2 ratings share among adults aged 18–49. The episode received critical acclaim, who deemed it as one of the best episodes of the series.

Bill (Bill Paxton) and Barbara (Jeanne Tripplehorn) talk with Hatcher (Lawrence O'Donnell) over the police investigation, and Hatcher suggests Bill is not the only one targeted; Barbara is a prime suspect as his accomplice.

After seeing her with Greg (Christian Campbell) at the wedding reception, Margie (Ginnifer Goodwin) starts to suspect that Cara Lynn (Cassi Thomson) is on a secret relationship. She starts spending more time at their study sessions, as well as following their moves. During one of their encounters, Margie manages to catch them preparing for sex, and angrily takes her home, but does not reveal it to Nicki (Chloë Sevigny). When Don (Joel McKinnon Miller) reveals that Alby (Matt Ross) is offering to buy his share at Home Plus, Bill once again visits the UEB board, revealing that he contacted a sexual abuse victim of his to retrieve a check that Roman gave him to buy his silence. He threatens Alby into staying out of his business or he will report him to authorities. Angered, Alby hires Verlan (Kevin Rankin) to kill Bill.

After talking with Ben (Douglas Smith), Heather (Tina Majorino) reveals to Barbara that she was responsible for the police investigation, as she opened up about Margie's real age during a session with the bishop. Bill discovers that Barn (Gregory Itzin) has also been questioned by authorities, as they believe Safety Net is responsible, prompting Bill to offer his resignation if the church stops intervening. Pressured by Margie, Cara Lynn finally reveals her relationship to Nicki. Angry, she threatens Greg and questions what her daughter has become. Later, Nicki visits Alby, who is angry that he has been taking many women away from the compound, but Nicki has just discovered that he ordered Bill's death. When Nicki claims that Dale killed himself because of Alby, Alby attacks her and takes her hostage.

Sainte (Grant Show) visits Margie, and suggests that her family is not supporting her business venture. When she consults it with Bill and Barbara, she calls Sainte to inform she is pulling out of Goji. Bill, meanwhile, realizes that the charges against him are increasing and he can face up to 20 years in prison. Alby informs Verlan that he will not be paid for his services, threatening him to comply anyway as he carries a tape about his involvement in Don's attack. He forces him to dig a grave for Nicki, but surprises them by killing Verlan instead and sends Nicki away to send a message to Bill.

Production

Development

The episode was written by producer Seth Greenland, and directed by executive producer David Knoller. This was Greenland's second writing credit, and Knoller's fourth directing credit.[1]

Reception

References

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