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The Pad (and How to Use It)

1966 film by Brian G. Hutton From Wikipedia, the free encyclopedia

The Pad (and How to Use It) is a 1966 comedy film directed by Brian G. Hutton and starring Brian Bedford, Julie Sommars and James Farentino.[2] It was written by Thomas C. Ryan and Ben Starr, based on the 1962 one-act play The Private Ear by Peter Shaffer.

Directed byBrian G. Hutton
Screenplay byThomas C. Ryan
Ben Starr
Based on
The Private Ear (play)
by Peter Shaffer
Produced byRoss Hunter
Quick facts Directed by, Screenplay by ...
The Pad (and How to Use It)
Directed byBrian G. Hutton
Screenplay byThomas C. Ryan
Ben Starr
Based on
The Private Ear (play)
by Peter Shaffer
Produced byRoss Hunter
StarringBrian Bedford
Julie Sommars
James Farentino
CinematographyEllsworth Fredericks
Edited byMilton Carruth
Music byRussell Garcia
Production
company
Ross Hunter Productions
Distributed byUniversal Pictures
Release date
  • August 17, 1966 (1966-08-17) (New York City)
Running time
86 minutes
CountryUnited States
LanguageEnglish
Budget$300,000[1]
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Plot

A sensitive man named Bob Handman, who lives alone in his apartment, encounters whom he believes to be his ideal woman, Doreen at a classical-music concert. They arrange to meet at a later date at his pad. Because he is so unworldly, he asks his best friend Ted along to the date for moral support. It transpires that she only went to the classical concert because she was given a free ticket by a co-worker. She has no interest in classical music, which is Bob's passion, but she is charmed by Ted, who prepares the evening meal and flirts with her outrageously while Bob gets drunk.

Bob and Ted fall out and Doreen goes off with Ted. The movie ends with Bob sitting in a darkened room, listening to the aria from Madame Butterfly. He gets up and drags the phonograph needle across the record several times, placing the needle back on the record. As he sits in the dark crying, the record skips repeatedly over the scratched aria.

Cast

Production

In October 1965 producer Ross Hunter announced he wanted to use unknown stars and director, and the writer Tom Ryan had not done a script before.[3]

Reception

Variety wrote: "Ross Hunter's screen adaptation, thanks almost entirely to Shaffer's original dialog and the recreation by Brian Bedford of the shy young man he played in the New York production, recaptures much of the humor, compassion and wisdom of the legit production."[4]

Boxoffice wrote: "Ross Hunter, whose multi-starred, glamorous and lavishly appointed comedies for Universal have all been blockbusters, does an about-face with this simple tale about three middleclass folk, acted by a trio of comparative newcomers, and creates a gem of a motion picture, one which should win critical praise and build on favorable word-of-mouth."[5]

Time wrote: "The title swings like a rusty tailpipe, but stay cool. Ross Hunter, the Hollywood production genius who gave the world Tammy and a yock-pile of fill’ems starring Rock Hudson and Doris Day, has actually produced an intelligent picture at last."[6]

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