The Persian Boy

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LanguageEnglish
SeriesAlexander the Great
The Persian Boy
First US edition
AuthorMary Renault
IllustratorMichelangeloFemale head with earring
LanguageEnglish
SeriesAlexander the Great
GenreHistorical novel
PublisherLongman (UK)
Pantheon Books (US)
Publication date
23 October 1972 (UK)
November 1972 (US)
Publication placeSouth Africa
Media typePrint (Hardback and Paperback)
Pages410pp (UK), 419pp (US)
ISBN0-582-10542-0 (UK), 0-394-48191-7 (US)
OCLC369921
823/.9/12
LC ClassPZ3.R2913 Pe PR6035.E55
Preceded byFire from Heaven 
Followed byFuneral Games 

The Persian Boy is a 1972 historical novel written by Mary Renault and narrated by Bagoas, a young Persian from an aristocratic family who is captured by his father's enemies, castrated, and sold as a slave to king Darius III, who makes him his favourite. Eventually he becomes the lover and most faithful servant of Alexander the Great, who overthrew Darius and captured the Persian Empire. Bagoas' narration provides both a Persian view of the conquest and an intimate look at the personality of the conqueror. In Renault's view, Alexander's love for Bagoas influenced his desire to unite the Greek and Persian peoples. Renault also posits the notion that Alexander's relentless drive to conquer the world stemmed in part from his troubled relationship with his domineering mother, and his desire to "escape" from her influence by leading his army ever eastward.

The novel is a sequel to Renault's Fire from Heaven (1969). The Persian Boy was a bestseller within the gay community.[1]

Like much of Renault's fiction, the book, published in 1972, provides a sympathetic portrait of homosexual love. The Persian Boy is notable for its depiction of the tradition of pederasty in ancient Greece, where relationships between adult men and adolescent boys were celebrated. In the novel, Bagoas is 16 years old when he begins his relationship with Alexander (then about 25). Renault depicts the attachment as lasting until Alexander's death, when Bagoas would have been about 23. She explores the tensions in the triangular relationship between Alexander and his two lovers, Hephaistion and Bagoas, and suggests that Alexander went mad with grief over Hephaistion's untimely death.

Allusions/references to actual history

Sequel

References

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